ABSTRACT Berkeley admits that certain religious utterances involve words that do not stand for ideas. Nevertheless, he maintains, these utterances may express true beliefs. According to the use theory interpretation of Berkeley, these true beliefs consist in dispositions to follow certain rules. Keota Fields has objected that this interpretation is inconsistent with Berkeley’s commitment to the universal truth of the Christian revelation. On Fields’ alternative interpretation, the meanings of these utterances are ideas in the mind of God, and we assent (...) to these sentences ‘at secondhand’, deferring to God for the content of our belief. While Fields’ criticisms of the use theory are illuminating, and his alternative proposal is ingenious, neither of them ultimately works. In this paper, I reply to three of Fields’ criticisms of the use theory, then press two objections against his alternative proposal. I argue that, although Berkeley is committed to the universal truth of the Christian revelation, this truth is not constituted by ideas in either human or divine minds, but rather by God’s universal commands which order the life of the Christian community toward the good. (shrink)

Berkeley is best known for his immaterialism and the texts that extol it—the Principles of Human Knowledge and Three Dialogues Between Hylas and Philonous. He made his case by treatise, then by dialogue, and this tendency towards stylistic experimentation did not end there; this paper explores an early speculative fiction project that pursued his theological and philosophical agendas. Berkeley used satire to challenge his “freethinking” philosophical opponents in “The Pineal Gland” story published in The Guardian in 1713. Echoing the grand (...) tours Berkeley undertook in subsequent years, Part 1 offers a “gland tour” of some literary motivations, influences and legacies of these essays. Berkeley pursues heroic themes from Homer and Alexander Pope, while lampooning the philosophies of both Descartes and the freethinkers. Armed with the device of a magic snuff that transports him to the pineal glands of his adversaries, Berkeley's protagonist uses it “to distinguish the real from the professed sentiments of all persons of eminence in court, city, town, and country”. (Guardian, p. 187) Part 1 examines ‘The Pineal Gland’ in the context of Berkeley's broader philosophical legacy and the text's significant engagement with the literature of Homer and Pope, concluding that “The Pineal Gland” is an important but overlooked source in the history of early speculative fiction. Part 2 continues this analysis by exploring Berkeley's relationship with an expansive London literary circle, interrogating a line of influence beginning with the writing of Margaret Cavendish. In doing so, Part 2 also examines Berkeley's complex attitudes towards women. (shrink)