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Humor and emotion

American Philosophical Quarterly 20 (3):297-304 (1983)

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  1. Humor and morality.William G. Lycan - 2020 - American Philosophical Quarterly 57 (3):253-268.
    The ethics of humor has suffered from failure to distinguish objects of evaluation. This paper’s main thesis is that once we do distinguish the evaluation of ordinary humorous acts—everyday joking and laughing—from that of humorous amusement or mirth considered as a mental state, we find that, with one important qualification, the former is not particularly distinctive; standard moral theories apply straightforwardly. What presents special issues for moral philosophy is, rather, the mental state, and its assessment from the viewpoint of virtue (...)
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  • Subversive Humor as Art and the Art of Subversive Humor.Chris A. Kramer - 2020 - The Philosophy of Humor Yearbook 1 (1):153–179.
    This article investigates the relationships between forms of humor that conjure up possible worlds and real-world social critiques. The first part of the article will argue that subversive humor, which is from or on behalf of historically and continually marginalized communities, constitutes a kind of aesthetic experience that can elicit enjoyment even in adversarial audiences. The second part will be a connecting piece, arguing that subversive humor can be constructed as brief narrative thought experiments that employ the use of fictionalized (...)
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  • It’s Not (Only) The Joke’s Fault: A Speech Act Approach To Offensive Humor.Daniel Koch - 2015 - Philosophisches Jahrbuch (2):318-338.
    . Usually the ethics of humor revolves around the content of humor. After giving a synopsis and exposing some shortcomings of the recent controversies, this paper takes into account additional aspects and proposes a change of perspective from token to type level and deploys tools of the philosophy of language to tackle the question whether a joke as a type can be considered morally flawed irrespective of its tokens. After exploring possible ways one can think of to furnish evidence for (...)
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  • Subversive Humor.Chris A. Kramer - 2015 - Dissertation, Marquette
    Oppression is easily recognized. That is, at least, when oppression results from overt, consciously professed racism, for example, in which violence, explicit exclusion from economic opportunities, denial of adequate legal access, and open discrimination perpetuate the subjugation of a group of people. There are relatively clear legal remedies to such oppression. But this is not the case with covert oppression where the psychological harms and resulting legal and economic exclusion are every bit as real, but caused by concealed mechanisms subtly (...)
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  • (1 other version)Humor and the Good Life in Modern Philosophy: Shaftesbury, Hamann, Kierkegaard.Lydia Amir - 2014 - Albany: State University of New York Press.
    _An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications._.
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  • Pleasurably Regarding the Pain of Fictional Others.Aaron Smuts - manuscript
    Is it ever bad to take pleasure in the suffering of fictional characters? I think so. I attempt to show when and why. I begin with two powerful objections to my view: (1) engaging with fiction is akin to morally unproblematic autonomous fantasy, and (2) since no one is harmed, it is morally unproblematic. I reply to the objections and defend a Moorean view on the issue: It is intrinsically bad to enjoy evil, actual (past, present, or future) and merely (...)
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  • Samuel Beckett’s humour: attuning philosophy and literary criticism.Michela Bariselli - 2019 - Dissertation, University of Reading
    This thesis explores and describes the comic features of Samuel Beckett’s prose works. It explores fundamental questions about Beckett’s humour. On the one hand, it investigates the nature of humour, and, on the other, it investigates what counts as humour in Beckett. This twofold investigation requires ‘attuning’ philosophy and literary criticism, where questions and tools of each discipline mutually sharpen and refine each other. Chapter 1 evaluates philosophical accounts of humour and identifies Incongruity Theory as the theory offering the best (...)
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  • How Not to Defend Response Moralism.Aaron Smuts - 2015 - Journal of Aesthetic Education 49 (4):19-38.
    The bulk of the literature on the relationship between art and morality is principally concerned with an aesthetic question: Do moral flaws with works of art constitute aesthetic flaws?1 Much less attention has been paid to the ways in which artworks can be morally flawed. There are at least three promising contenders that concern aesthetic education: Artworks can be morally flawed by endorsing immorality, corrupting audiences, and encouraging responses that are bad to have. When it comes to works of fiction, (...)
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  • Amusement and the Philosophy of Emotion: A Neuroanatomical Approach.Joseph T. Palencik - 2007 - Dialogue 46 (3):419-434.
    Philosophers who discuss the emotions have usually treated amusement as a non-emotional mental state. Two prominent philosophers making this claim are Henri Bergson and John Morreall, who maintain that amusement is too abstract and intellectual to qualify as an emotion. Here, the merit of this claim is assessed. Through recent work in neuroanatomy there is reason to doubt the legitimacy of dichotomies that separate emotion and the intellect. Findings suggest that the neuroanatomical structure of amusement is similar to other commonly (...)
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  • Amusement and beyond.Steffen Steinert - 2017 - Dissertation, Lmu München
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  • Who is Afraid of Commitment? On the Relation of Scientific Evidence and Conceptual Theory.Steffen Steinert & Joachim Lipski - 2018 - Erkenntnis 83 (3):477-500.
    Can scientific evidence prompt us to revise philosophical theories or folk theoretical accounts of phenomena of the mind? We will argue that it can—but only under the condition that they make a so-called ‘ontological commitment’ to something that is actually subject to empirical inquiry. In other words, scientific evidence pertaining to neuroanatomical structure or causal processes only has a refuting effect if philosophical theories and folk notions subscribe to either account. We will illustrate the importance of ‘ontological commitment’ with the (...)
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