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  1. Homer and Ancient Narrative Time.Ahuvia Kahane - 2022 - Classical Antiquity 41 (1):1-50.
    This paper considers the nature of time and temporality in Homer. It argues that any exploration of narrative and time must, as its central tenet, take into account the irreducible plurality and interconnectedness of memory, the event, and experienced time. Drawing on notions of complexity, emergence, and stochastic behavior in science as well as phenomenological traditions in the discussion and analysis of time, temporality, and change, and offering extensive readings of Homer, of Homeric epithets and formulae, and of key passages (...)
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  • Slaughter and Spectacle in Quintus Smyrnaeus’ Posthomerica.Nicholas Kauffman - 2018 - Classical Quarterly 68 (2):634-648.
    Scholarship on Quintus Smyrnaeus has long moved past the point where he is considered nothing more than an ‘artificial imitator of a bygone age’. Rather, scholars generally recognize the dynamism of Quintus’ relation to Homer, as can be seen in the subtitles of two volumes on Quintus published in the past few years:Engaging Homer in Late AntiquityandTransforming Homer in Second Sophistic Epic. Even in passages that are clearly modelled on passages in Homer, Quintus is no longer seen as slavishly imitating (...)
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  • Dying is Hard to Describe: Metonymies and Metaphors of Death in the Iliad.Fabian Horn - 2018 - Classical Quarterly 68 (2):359-383.
    Homer'sIliadis an epic poem full of war and battles, but scholars have noted that ‘[t]he Homeric poems are interested in death far more than they are in fighting’. Even though long passages of the poem, particularly the so-called ‘battle books’ (Il.Books 5–8, 11–17, 20–2), consist of little other than fighting, individual battles are often very short with hardly ever a longer exchange of blows. Usually, one strike is all it takes for the superior warrior to dispatch his opponent, and death (...)
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  • Falling into Time in Homer's Iliad.Alex Purves - 2006 - Classical Antiquity 25 (1):179-209.
    This paper addresses the question of the relation between mortal and immortal time in the Iliad as it is represented by the physical act of falling. I begin by arguing that falling serves as a point of reference throughout the poem for a concept of time that is specifically human. It is well known that mortals fall at the moment of death in the poem, but it has not been recognized that the movement of the fall is also connected with (...)
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