The purpose of this article is to enlist the work of the American philosopher and psychologist William James in order to investigate the deeper significance of humor. It is neither James’s character nor anything he states directly about humor or laughter that is under discussion here, but the cosmos as grasped through his bold metaphysics and rich phenomenological observations. The thought of James, it is argued, discloses our inherence within a universe rife with ambiguity, complexity, and incongruity. I explore how (...) these features of reality, particularly when illuminated through James’s lush prose, may cause us to laugh. In addition, the insights of James are employed to examine the close relationship between humor and certain forms of religious experience, as well as with horror. (shrink)

Although Christian spirituality includes a long tradition of suspicion of humour, humour can express and further holiness in several ways. Humour serves holiness in religious satire; it can also communicate the self-transcendent perspective of holy women and men. Humour and holiness can also illuminate each other because both are inherently relational. Christian holiness consists primarily in right relationship to the Holy One and, thus, to others. Humour's complex relational nature is examined with the help of Ted Cohen's analysis of joke-telling (...) and evolutionary and cognitive research. Humour and its primary expression, laughter, are inherently ambiguous, capable of expressing and creating a range of attitudes and relationships; consequently, they can both conduce to and hinder holiness. Finally, humour can contribute to the religious imagination, and thus to holiness, by challenging established images of the holy, inviting fresh theological reflection, and inspiring ethical action. Both holiness and humour require openness to that which is beyond us and agility in responding to the other. (shrink)

This article tries to defend the position that Holocaust Education can be enriched by appreciating laughter and humor as critical and transformative forces that not only challenge dominant discourses about the Holocaust and its representational limits, but also reclaim humanity, ethics, and difference from new angles and juxtapositions. Edgar Hilsenrath’s novel The Nazi and the Barber is discussed here as an example of literature that departs from representations of Holocaust as celebration of resilience and survival, portraying a world in which (...) lies, hatred and violence are still perpetuated. Because of its transgressive qualities, Hilsenrath’s narrative of the Holocaust as a satire with elements of black comedy can offer pedagogical openings for using laughter to interrupt normative constructions of the Holocaust as an unspeakable and sacred event that lies outside history, and thus beyond the capacities of human understanding. It is argued that laughter is an important modality for inviting deep thinking about the Holocaust, to move it from a transcendent phenomenon to an immanent event, situated clearly in the realm of human action and worthy of understanding so as to prevent it from happening again. (shrink)

Plato claims that “philosophy begins in wonder”. To genuinely question the unquestioned opens a hole in the floor of certainty. This feeling is the prerequisite to true philosophical thinking. However, paradoxically, it is often the absence of irreverence that prevents true awe. In order to provoke moral seriousness in students, it is common to inadvertently “flatten” the moral world by injecting seriousness into everything; however, when everything is serious, nothing is serious. This paper explores the role of conceptual and tonal (...) irreverence, and situates this topic more generally within the role of humor in pedagogy. Finally, the presentation demonstrates connections to social justice and the ways that educational reform, in flattening the moral world, have omitted the opportunity to generate wonder and reverence. Platon tvrdi da “filozofija počinje s čuđenjem”. Istinsko preispitivanje neispitanoga izaziva nesigurnost. Taj osjećaj preduvjet je istinskom filozofskom mišljenju. Međutim, paradoksalno, često je upravo nedostatak humora ono što sprječava istinsko čuđenje. Kako bi se izazvala moralna ozbiljnost u studenata uobičajeno je da se nehotice moralni svijet predstavi dosadnijim nego što uistinu jest, dajući svemu ozbiljan predznak; no ništa nije ozbiljno kada je sve ozbiljno. Ovaj rad istražuje ulogu konceptualnog i tonalnog humora te ovu temu općenitije pozicionira u sferu uloge humora u pedagogiji. U konačnici, prezentacija prikazuje veze s društvenom pravdom i načinima na koje je obrazovna reforma, putem prikaza morala kao ozbiljne teme, propustila priliku za stvaranje čuđenja i poštivanja. (shrink)