Space is one of the most fundamental concepts over which scientific knowledge has been constructed. But it is also true that space concepts extrapolate by far the scientific domain, and permeate many other branches of human knowledge. Those are fascinating aspects that could di per se justify the compilation of a long bibliography. Another one is the passion for books. My interest in some physical, historical and philosophical problems concerning the concept of space in Physics, and its properties, can be (...) traced back to the early 1980. Since that time, I have being studying, with several collaborators, the influence of space dimensionality in different physical phenomena, like the Casimir Effect, neutron diffraction, Cosmic Microwave Background Radiation and the stability of Schrödinger’s and Dirac’s hydrogen atom in arbitrary number of dimensions, as well as epistemological aspects of the works of Kant, Ehrenfest an others on this particular subject. Meanwhile, I gave lectures about the History of the Concepts of Space in Physics at the Centro Brasileiro de Pesquisas Físicas (CBPF), at the Program of History of Sciences, Technics and Epistemology of the Federal University of Rio the Janeiro (UFRJ) and also at the Physics Institute of the State University of Rio de Janeiro (UERJ). As a consequence of both this interest and my love for books, I continuously bought books on space for my personal library which contains now quite one half of all the books quoted here. In 1996, Roberto Moreira and I published the Sources for the History of Space concepts in Physics: From 1845 to 1995 in the series Notas de Física of the CBPF (NF # 084/96), which is still available online. This was a first initiative to share our bibliography on space. At that time, it contained 1075 references, including 414 books entirely devoted to space, 380 articles in periodical journals and proceedings and 281 miscellaneous citations. After fifteen years, I decided to focus my attention here to collect what in my opinion are the 601 essential books which could be useful for anyone interested on learning about space. An important restriction is imposed here by language: only texts written in English, French, German, Italian, Spanish, Portuguese and Latin were considered. References are given in chronological order covering the period between 1739 and 2010. For each year, the books are listed in alphabetical order of authors’ name. An onomastic index is included at the end of the book. -/- Francisco Caruso Rio de Janeiro, October 2011 . (shrink)

At least since the Neoplatonic commentators, Aristotle’s thesis that place is immobile has been considered a serious problem for his theory of place and locomotion. This diagnosis, however, is essentially based on a single passage (212a14–21)—the famous passage on the boat moving in a river—which interpreters find both central and obscure or imprecise, and which has so far resisted a literal reading. I tackle this issue by considering texts hitherto neglected by scholars and propose a new and charitable interpretation, showing (...) the consistency of Aristotle’s thesis of the immobility of place with his general theory of change, as well as a fresh reading of ll. 212a14–21 that stays close to the text. Further, I argue that there are good reasons to believe that the interpretation I put forward is the most ancient one. (shrink)

Una crítica del concepto vulgar de tiempo busca explicitar los caracteres básicos de dicho concepto y fundamentalmente las aporías en el planteo. Con relación a lo primero, este artículo pone énfasis en el carácter “originario” del concepto vulgar, es decir, su conexión con el “tiempo del mundo” y en el nexo de fundamentación que conecta ambos –tiempo vulgar y tiempo del mundo– con la temporalidad originaria del Dasein. En relación con lo segundo, el artículo cuestiona los límites de una atribución (...) del concepto vulgar de tiempo a Aristóteles; se discute asimismo la homologación de espacio y tiempo, por un lado, y la relación entre tiempo y presencia por otro, dos presupuestos de la representación tradicional del tiempo como medida/parámetro de los cambios en general. (shrink)

On constant movement of frontiers between Science and Theology. Part 2: Metaphysics In the first part 2015) entitled “Physics” we showed how discoveries of modern sciences do not contradict Bible: neither in the subject of the beginning of the word nor in the subjects of the homogeneity of Homo Sapiens and the common origin of Euroasiatic languages. In this part we show that numerous “explanations” of natural phenomena like Pauli’s exclusion principle governing the chemistry, like space-time of Einstein, like apparent (...) paradoxes of quantum mechanics, in reality move the border of our knowledge towards metaphysics: writings of philosophers from Aristotle, S. Augustine, S. Thomas to Kant are not in contrast with ontological conclusions of modern physics. In this way, the explanations based on philosophical principles find their place in natural sciences. (shrink)

RESUMEN Este artículo apunta a someter a consideración si existe o no un fundamento histórico-filosófico para la hipótesis de una homonimia no azarosa entre "escala de tiempo" y "escala musical". Un examen minucioso de ciertos pasajes del diálogo Timeo muestra que Platón fue el primero en sentar las bases para el concepto de tiempo, definido como número, al incorporar el concepto de 'analogía' o proporción, el cual fue desarrollado por los pitagóricos en el marco místico y teórico de los principios (...) emergentes de la armonía tonal. La teoría pitagórico-platónica de proporciones subyace -como intentaré probar- en el concepto aristotélico de tiempo y, en cuanto tal, en la representación tradicional del tiempo como parámetro y escala del movimiento. ABSTRACT This article aims to unpack the query of whether or not there is a historical- philosophical basis for the hypothesis of a non-random homonymy between 'time scale' and 'musical scale.' A deeper look into certain passages of Plato's dialog Timaios, shows that he first laid the foundation for the concept of time, defined as number, by incorporating the concept of 'proportion' or 'analogy', which was developed by the Pythagoreans in the mystical and theoretical frame of the rising principles of tonal harmony. The pythagorean-platonic theory of proportion underlies -as I will try to prove- the aristotelian concept of time, and thus the traditional representation of time as a parameter and scale of movements. (shrink)