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Seeing and Believing Science

Isis 97 (1):101-110 (2006)

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  1. Unrolling Egyptian mummies in nineteenth-century Britain.Gabriel Moshenska - 2014 - British Journal for the History of Science 47 (3):451-477.
    The unrolling of Egyptian mummies was a popular spectacle in mid-nineteenth-century Britain. In hospitals, theatres, homes and learned institutions mummified bodies, brought from Egypt as souvenirs or curiosities, were opened and examined in front of rapt audiences. The scientific study of mummies emerged within the contexts of early nineteenth-century Egyptomania, particularly following the decipherment of hieroglyphics in 1822, and the changing attitudes towards medicine, anatomy and the corpse that led to the 1832 Anatomy Act. The best-known mummy unroller of this (...)
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  • The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain.Max Long - 2020 - British Journal for the History of Science 53 (4):527-551.
    This article analyses the production and reception of the natural history film series Secrets of Nature and its sequel Secrets of Life, exploring what these films reveal about the role of cinema in public discourses about science and nature in interwar Britain. The first part of the article introduces the Secrets using an ‘intermedial’ approach, linking the kinds of natural history that they displayed to contemporary trends in interwar popular science, from print publications to zoos. It examines how scientific knowledge (...)
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  • Fashioned in the light of physics: the scope and methods of Halford Mackinder's geography.Emily Hayes - 2019 - British Journal for the History of Science 52 (4):569-594.
    Throughout his career the geographer, and first reader in the ‘new’ geography at the University of Oxford, Halford Mackinder (1861–1947) described his discipline as a branch of physics. This essay explores this feature of Mackinder's thought and presents the connections between him and the Royal Institution professor of natural philosophy John Tyndall (1820–1893). My reframing of Mackinder's geography demonstrates that the academic professionalization of geography owed as much to the methods and instruments of popular natural philosophy and physics as it (...)
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  • The BBC Natural History Unit: Instituting Natural History Film-making in Britain.Jean-Baptiste Gouyon - 2011 - History of Science 49 (4):425-451.
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  • (1 other version)Dr. Auzoux’s botanical teaching models and medical education at the universities of Glasgow and Aberdeen.Margaret Maria Olszewski - 2011 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 42 (3):285-296.
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  • Natural History in the Dark: Seriality and the Electric Discharge in Victorian Physics.Chitra Ramalingam - 2010 - History of Science 48 (3-4):371-398.
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  • No Mere Dream: Material Culture and Electrical Imagination in Late Victorian Britain.Iwan Rhys Morus - 2015 - Centaurus 57 (3):173-191.
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  • Film lessons: early cinema for historians of science.Jesse Olszynko-Gryn - 2016 - British Journal for the History of Science 49 (2):279-286.
    Despite much excellent work over the years, the vast history of scientific filmmaking is still largely unknown. Historians of science have long been concerned with visual culture, communication and the public sphere on the one hand, and with expertise, knowledge production and experimental practice on the other. Scientists, we know, drew pictures, took photographs and made three-dimensional models. Rather like models, films could not be printed in journals until the digital era, and this limited their usefulness as evidence. But that (...)
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