This paper presents Jean Nicod (1893–1924) as a mediator in the dispute between Bergson and Russell. In La géométrie dans le monde sensible (1924), Nicod extensively discusses Bergson’s epistemology focusing on those aspects that Russell critically discusses in The Philosophy of Henri Bergson (1912) and Our Knowledge of the External World (1914). His aim is to establish a middle ground between synthesis and analysis: to show how most of the disagreements between Bergson and Russell can be resolved without compromising the (...) central principles of their thought. Throughout this paper, I explicate Nicod’s exposition of two points of contention between Bergson and Russell: (1) the nature of sense-data and analysis, and (2) the relation between geometry and the sensible world. I will also show that his attempt to reconcile synthesis and analysis results in an innovative account of representation inspired by an early reading of Wittgenstein’s Tractatus. In the conclusion, I reflect on how Nicod’s proficiency to engage with two increasingly diverging philosophical programmes, namely early analytic philosophy and the French epistemological tradition, could have affected the development of early twentieth-century philosophy. (shrink)

The aim of this paper is to outline Dorothy Emmet’s (1904-2000) account of perception in The Nature of Metaphysical Thinking (published in 1945). Emmet’s account of perception is part of a wider attempt to rehabilitate metaphysics in the face of logical positivism and verificationism (of the kind espoused most famously by A. J. Ayer). It is thus part of an attempt to stem the tide of anti-metaphysical thought that had become widespread in British philosophy by the middle of the twentieth (...) century. In pursuit of that aim, Emmet draws on the work of figures like A. N. Whitehead and Henri Bergson, rather than more mainstream analytic thinkers like Bertrand Russell or G. E. Moore, for inspiration. Indeed, Emmet’s ideas stand in contrast to the prevailing tides of British philosophy during her lifetime. This makes Emmet a figure of considerable historical interest; she does not fit neatly into the traditional narrative of the continental-analytic divide, proposed a way forward for metaphysics in one of its greatest times of crisis, and pre-empted certain movements in more contemporary philosophy of perception. By espousing her unique account of perception and drawing out its connections to her wider philosophy, I hope to put Emmet ‘on the map’, so to speak, of twentieth century British thought. (shrink)

Physics has been thought to truly represent reality since at least Galileo, and the foundations of physics are always established using philosophical ideas. In particular, the elegant naming of physical entities is usually very influential in the acceptance of physical theories. We here demonstrate (using current developments in thermodynamics as an example) that both the epistemology and the ontology of physics ultimately rest on poetic language. What we understand depends essentially on the language we use. We wish to establish our (...) knowledge securely, but strictly speaking this is impossible using only analytic language. Knowledge of the meanings of things must use a natural language designed to express meaning, that is, poetic language. Although the world is really there, and although we can indeed know it truly, this knowledge is never either complete or certain but ultimately must rest on intuition. Reading a recently discovered artefact with a palaeo-Hebrew inscription as from the first century, we demonstrate from it that this ontological understanding long predates the Hellenic period. Poetic language is primary, both logically and temporally. (shrink)

In this paper, we argue that the French philosopher Henri Bergson was a hidden interlocutor in Susan Stebbing’s critique of Arthur Eddington in her Philosophy and the Physicists. First, we outline Stebbing’s critique of Eddington’s philosophical- physical writings with a particular emphasis on her case against Eddington’s account of the passage of time. Second, we provide evidence that Eddington’s philosophy is, at its core, Bergsonian and make the case that Eddington was directly influenced by Bergson’s philosophy of la durée. Third, (...) we lay out Stebbing’s critique of Bergsonism in her Pragmatism and French Voluntarism and identify important similarities with her critique of Eddington over twenty years later. In doing so, we show that it is Eddington’s Bergsonism that she is attacking. Finally, we situate Stebbing’s criticisms of both Eddington and Bergson within two wider conflicts that emerged in early twentieth century British philosophy: one between an objectively describable time of physics and subjective temporal experience, and the other between science and intuition. (shrink)