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  1. Lukács’ antinomic ‘standpoint of the proletariat’: From philosophical to socio-historical determination.Aaron Jaffe - 2020 - Thesis Eleven 157 (1):60-79.
    In History and Class Consciousness’ central essay ‘Reification and the Consciousness of the Proletariat’, Lukács resolved the antinomies of bourgeois philosophy in the revolutionary ‘standpoint of the proletariat’. Lukács’ strategy in deriving this proletarian standpoint, however, transposed the logical necessity appropriate to philosophical determinations into possibilities for revolutionary praxis imbedded in socio-historical contexts. Further, since the standpoint is determined as the necessary solution to bourgeois antinomies, it must be conceived singularly, rather than through its manifest diversity. As the key to (...)
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  • Towards a Critical Theory of High Culture: The Work of György Márkus.Stephen Norrie - 2014 - Journal of Critical Realism 13 (5):467-497.
    György Márkus’s post-Marxist writings on high culture are evaluated in terms of their possible contribution to a neo-Marxist theory of high culture. Because of the highly essayistic character of Márkus’s presentation, this necessarily involves investigation of their dependence on his previous work. According to Márkus, Marxism can be critically reconstructed and superseded on the basis of an independent theorization of the consequences of Marx’s most basic theoretical move: the identification of production as paradigmatic for social action in general. In section (...)
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  • Questions considering the ‘normative skepticism’ of Ágnes Heller.Jonathan Pickle - 2014 - Thesis Eleven 125 (1):87-104.
    This paper situates the critical attitude undergirding Ágnes Heller’s theory of modernity by elucidating her conceptualization of its ‘undialectical dialectics’ relative to the dialectical philosophies of Kant and Hegel. For Heller, the methodological commitments orienting a philosopher’s decision on how to conceptualize the dynamics of modernity are not merely theoretical but also ethico-practical, for they attempt to overcome the duality of life and spirit in the singular personality. For the denizens of contemporary modernity – who recognize contingency inhering in their (...)
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  • The cultural form of György Márkus’s philosophy.Jonathan Pickle - 2015 - Thesis Eleven 126 (1):19-37.
    György Márkus’s Culture, Science, Society: The Constitution of Cultural Modernity is the most sophisticated attempt among contemporary philosophies to proffer a radical critical theory of culture based upon a Marxian philosophical anthropology and an emphatically post-metaphysical re-interpretation of the paradigm of production. In this paper, I aim to evince how the content of Márkus’s published writings is related to the cultural form of his philosophical practice that he describes as ‘orientation in thought’. First, I provide an overview of several key (...)
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  • Praxis beyond the political.Jonathan Pickle - 2015 - Thesis Eleven 126 (1):70-87.
    The works of György Márkus and Hannah Arendt represent two irreconcilable tendencies of contemporary radical philosophy. Whereas Márkus’s critical theory of culture actively refrains from attributing metaphysical significance to its heuristic concepts and the mutable practices they contingently designate, Arendt’s phenomenological methodology attempts to elucidate the constitution of the modern world in order to evince the ontological significance of the political. Due to the inimical nature of their respective projects, Márkus’s writings largely consign its references to Arendt to marginalia. In (...)
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