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The Conversation of Humanity

Philosophy 82 (322):649-651 (2007)

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  1. (1 other version)Learning Our Concepts.Megan J. Laverty - 2009 - Journal of Philosophy of Education 43 (supplement s1):27-40.
    Richard Stanley Peters appreciates the centrality of concepts for everyday life, however, he fails to recognize their pedagogical dimension. He distinguishes concepts employed at the first-order (our ordinary language-use) from second-order conceptual clarification (conducted exclusively by academically trained philosophers). This distinction serves to elevate the discipline of philosophy at the expense of our ordinary language-use. I revisit this distinction and argue that our first-order use of concepts encompasses second-order concern. Individuals learn and teach concepts as they use them. Conceptual understanding (...)
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  • Wittgenstein and the Fate of Theory.Chantal Bax - 2010 - Telos: Critical Theory of the Contemporary 2010 (150):66-81.
    In philosophy, or in philosophy of the continental kind, “1968” has come to represent a specific type of thinking. Or, rather, it has come to mark the decline of one type of theorizing in favor of another, namely, the kind that is suspicious of all-embracing theories.1 Though the philosophers associated with the Paris upheavals are figures like Jean-Paul Sartre and Herbert Marcuse, around the same time several thinkers entered onto the stage (such as Michel Foucault, Jacques Derrida, and Jean-François Lyotard) (...)
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  • Fiction and Conversation.Anniken Greve - 2012 - Philosophical Investigations 35 (3-4):238-259.
    Exploring Rhees's analogy between everyday conversation and literature, the paper suggests a conception of form that encourages us to see literary works as contributions to conversation in virtue of their concern. How we might read for the concern of a literary work is exemplified by readings of Ibsen's Ghosts and The Wild Duck. These readings suggest that Rhees's analogy not only throws light on the communicative powers of literature: viewing everyday talk in the light of works of literature also gives (...)
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