Building on Bernard Williams’ thesis about the intertwining of history and political philosophy, the essay explores how the problem of the history of dēmokratia after the late-eighteenth and over the nineteenth-century in Britain constituted a primary and critical field in which the philosophical meaning of democracy was debated. Configuring a new temporal perspective grounded in the relationship between ancient and modern democracy, historiographical works by John Gillies, William Mitford, and George Grote put forth an understanding of the concept as a (...) battlefield, involving several conflicting meanings, narratives and historical forces. This historiographical tradition highlighted the tensions underpinning the definition of democracy in the long-term temporal frame linking antiquity and modernity. So even more than contemporary philosophical and political writings, historical understanding constituted a unique concept of democracy that both concentrated and dispersed meaning; it was not just one vision of democracy, among others, but one that acquired the paradoxical power to forge some semantic stability and coherence over time, and to accentuate the threat of the concept’s break up into distinct political premises and historical moments that constituted it. (shrink)

The last 15 years or so has seen the development of a fascinating new area of cognitive science: the cognitive science of religion (CSR). Scientists in this field aim to explain religious beliefs and various other religious human activities by appeal to basic cognitive structures that all humans possess. The CSR scientific theories raise an interesting philosophical question: do they somehow show that religious belief, more specifically belief in a god of some kind, is irrational? In this paper I investigate (...) this question and argue that CSR does not show that belief in god is irrational. (shrink)

In this paper, we study discourses of emotion management on the reality television show Survivor. We analyze segments of the program that feature emotionally charged interactional moments and examine how these interactions are interwoven with contestants’ confessional interviews and framed by the narrator’s introductions of the segments. In a two part analysis, we first analyze the talk produced by the contestants and the host as individual texts, using a discourse analytic perspective that focuses on the details of the talk itself. (...) We then consider the ways the talk constitutes a series of layered texts and analyze these texts, using a discourse analytic approach that attends to macro-level and critical perspectives. We conclude that Survivor largely reinforces dominant cultural discourses of emotion management as strategic interactional practice that allow a person to be competitive. Furthermore, the analysis links performances of emotion management to representations of specific aspects of contestants’ social identities. (shrink)

This article situates Craig Calhoun’s early sociological trajectory within a diverse set of movements that aimed to transform the discipline of sociology in the United States. As a means to historicizing Calhoun’s critical intellectual practice, I position it within the extensively debated, though only partially understood, disciplinary insurgencies of the 1960s, 1970s and early 1980s, emphasizing attempts to transform sociology that drew substantially on interdisciplinary engagements to fuel the fires of a critical sociological imagination. A member of American sociology’s ‘disobedient (...) generation’, Calhoun was a key contributor to a resurgence of historical work that has come to be referred to as the ‘second wave’ of historical sociology. Tracing the ways that this intellectual movement drew inspiration from, worked alongside of, and overlapped with other critical disciplinary formations, I close with a brief consideration of the current state of critical sociology in the United States. (shrink)

Reality TV is immensely popular, and various shows in this media genre involve a storyline of infertility and infertility treatment. Feminists argue that normative and constructed realities about infertility and infertility treatment, like those in reality TV, are central to the emancipation of women. Such realities are able to steer viewers' perceptions of the world. This article examines the emancipatory significance of representations of women on 'infertility reality TV shows'. While the women in these shows all have 'abnormal' qualities, we (...) consider their portrayal as figurations of monstrosity. In the literature, monstrosity is understood as a way to challenge nonemancipatory norms by offering an alternative identity. Through a content analysis of seven reality TV shows, we identified four types of in/fertile monsters: the cyborg, the freak, the abject, and the childless. We show that these monsters are predominantly non-emancipatory as they all involve mechanisms of altering, excluding, or condemning infertility in relation to what is considered normal and acceptable womanhood. Therefore, at the end of this article, we make a plea for more diverse and emancipatory representations of infertile women in popular culture. (shrink)

ABSTRACT This article examines Oscar Wilde’s liberal socialist tract, ‘The Soul of Man Under Socialism’. It posits three discrete arguments. It argues, firstly, that in ‘The Soul of Man’ Wilde was deeply engaged with the socialist theory of William Morris. It claims that Wilde not only repudiated Morris’s aesthetic philosophy, rejecting Morris’s views about co-operation, usefulness, and tradition, and pouring scorn on the notion of dignity in manual labour, but that Wilde also echoed Morris’s utopian romance, News from Nowhere, in (...) two important respects: namely, in his account of crime and punishment on the one hand, and in his treatment of the notion of human nature on the other. Secondly, this article argues that, in ‘The Soul of Man’, Wilde drew on both Ralph Waldo Emerson and John Stuart Mill. It shows how Wilde plagiarised and repurposed ideas drawn from Emerson’s essay, ‘Self-Reliance’. But, in addition, it demonstrates how Wilde duplicated Mill’s view of democracy, individuality, and progress as set out in On Liberty. Finally, then, this article argues that, in his treatment of thrift, gratitude, discontent, and rebellion, Wilde was strongly influenced by Charles Baudelaire’s dramatisation of ‘true philanthropy’ in the narrative prose poem, ‘Let’s Beat Up The Poor!’. (shrink)