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  1. Images of Reality: Iris Murdoch's Five Ways From Art to Religion.Elizabeth Burns [Philosophy Staff] - 2015 - Religions 6 (3):875-890.
    Art plays a significant role in Iris Murdoch’s moral philosophy, a major part of which may be interpreted as a proposal for the revision of religious belief. In this paper, I identify within Murdoch’s philosophical writings five distinct but related ways in which great art can assist moral/religious belief and practice: art can reveal to us “the world as we were never able so clearly to see it before”; this revelatory capacity provides us with evidence for the existence of the (...)
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  • Engineers of the human soul: readers, writers, and their political education.Liam Gearon - 2019 - British Journal of Educational Studies 67 (3):389-406.
    1. In the Fall Issue of the Harvard Educational Review, Choo’s (2017) ‘Globalizing Literature Pedagogy’ makes the case for ‘applying cosmopolitan ethical criticism to the teaching of literature’. S...
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  • Iris Murdoch, or What It Means To Be A Serious Philosopher.Marije Altorf - 2013 - Daimon: Revista Internacional de Filosofía 60:75-91.
    The last few years have seen a growing interest in the philosophical work of Iris Murdoch. Where the interest in her literary work started early in her career, with the first monograph published in 1965, the first monograph on her philosophical work did not appear until 1996. It is now clear that this first work was not a one-off, but the start of a new area of research.
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  • Morality by Words: Murdoch, Nussbaum, Rorty.Tracy Llanera - 2014 - Budhi: A Journal of Ideas and Culture 18 (1):1-17.
    Despite the initial strangeness of grouping Iris Murdoch (a Platonist), Martha Nussbaum (an Aristotelian), and Richard Rorty (a pragmatist) together, this paper will argue that these thinkers share a strong commitment to the moral purport of literature. I will also show that their shared idea of moral engagement through literature interlocks the individual’s sense of self and the world of others. After considering their accounts, I will conclude by raising the question of literature’s moral limits.
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