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  1. ‘Creating justice between us’: Audre Lorde’s theory of the erotic as coalitional politics in the Women’s Movement.SaraEllen Strongman - 2018 - Feminist Theory 19 (1):41-59.
    This article asks how interracial sex and/or sexual attraction might be an integral part of cross-racial feminist work. Focusing on the work of black lesbian feminist poet Audre Lorde, I argue that for some black women sex and intimate relationships with white women during the Women’s Movement were an important part of their survival and their feminist and anti-racist praxis. Drawing on recent black feminist scholarship, I read Lorde’s work against the grain of the anti-pornography feminist movement contemporaneous with her (...)
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  • Black post-blackness: the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford ; Spill: Scenes of black feminist fugitivity Alexis Pauline Gumbs; In the wake: on blackness and being Christina Sharpe. [REVIEW]Rachel Stonecipher - 2020 - Feminist Theory 21 (1):131-138.
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  • Ecstatic loneliness: black genders and the politics of affect in Mykki Blanco's ‘Loner’.William H. Mosley - 2022 - Feminist Theory 23 (1):76-92.
    The rapper Mykki Blanco is lauded as a trailblazer in the contemporary queer hip hop movement, and it is this reputation that, in part, makes the single of her debut album so curious. The song ‘Loner’ is unequivocally pop and explores health, loneliness, love and sex, echoing Blanco's shifting relationship to gender, genre, sobriety and serostatus. Amidst three key performances of this song, Blanco's consciousness was at various stages of development and they reflect her journey into trans womanhood and through (...)
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