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  1. Opting out: confidentiality and availability of an ‘alibi’ for potential living kidney donors in the USA: Table 1.Carrie Thiessen, Yunsoo A. Kim, Richard Formica, Margaret Bia & Sanjay Kulkarni - 2015 - Journal of Medical Ethics 41 (7):506-510.
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  • Narratives: an essential tool for evaluating living kidney donations.Anne Hambro Alnaes - 2012 - Medicine, Health Care and Philosophy 15 (2):181-194.
    Norway’s living kidney donation-rate is among the highest in the world ( 36 per million ). According to questionnaire-results, donors enjoy better than average health, presumably due to the strict medical criteria for being allowed to donate and life long medical follow up. However, in recent years international studies have cast doubt on the predominantly positive picture of donors and recipients, particularly regarding psychological aspects of transplantation surgery and donor evalutation. Findings in this study derive from anthropological fieldwork lasting 36 (...)
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  • Just love in live organ donation.Kristin Zeiler - 2009 - Medicine, Health Care and Philosophy 12 (3):323-331.
    Emotionally-related live organ donation is different from almost all other medical treatments in that a family member or, in some countries, a friend contributes with an organ or parts of an organ to the recipient. Furthermore, there is a long-acknowledged but not well-understood gender-imbalance in emotionally-related live kidney donation. This article argues for the benefit of the concept of just love as an analytic tool in the analysis of emotionally-related live organ donation where the potential donor(s) and the recipient are (...)
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  • Vulnerable Spender: Eine medizinethische Studie zur Praxis der Lebendorganspende.Nikola Biller-Andorno & Henning Schauenburg - 2003 - Ethik in der Medizin 15 (1):25-35.
    Living organ donation is developing increasingly into an important therapeutic option in transplantation medicine. In spite of the existence of a normative-legal frame, medico-ethical questions remain open. Among these are in particular 1) who should be taken into consideration as a donor, 2) how information concerning the possibility of living organ donation should be passed on, and 3) what an adequate medical-psychosocial evaluation of potential donors should look like. The paper presents the results of a survey based on questionnaires, which (...)
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  • Unrelated living organ donation: ULTRA needs to go.S. Choudhry - 2003 - Journal of Medical Ethics 29 (3):169-170.
    The recent review of the Unrelated Live Transplant Regulatory Authority provides administrative and statistical information regarding living donor kidney transplantation in the United Kingdom.1 However, it leaves much unsaid. For example, although the report does mention the number of live kidney donations from unrelated donors that ULTRA has approved, it fails to mention that the United Kingdom has a low live kidney donation rate compared with other European countries .2 More importantly, the report does not address the fundamental question of (...)
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  • Who is willing to take the risk? Assessing the readiness for living liver donation in the general German population.F. C. Popp - 2006 - Journal of Medical Ethics 32 (7):389-894.
    Background: Shortage of donor organs is one of the major problems for liver transplant programmes. Living liver donation is a possible alternative, which could increase the amount of donor organs available in the short term.Objective: To assess the attitude towards living organ donation in the general population to have an overview of the overall attitude within Germany.Methods: A representative quota of people was evaluated by a mail questionnaire . This questionnaire had 24 questions assessing the willingness to be a living (...)
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  • Quelques considérations sur le problème de la constitution de l’image dans la phénoménologie husserlienne/ Some considerations concerning the problem of the image constitution in Husserl’s Phenomenology.Victor Eugen Gelan - 2013 - STUDIA UBB. PHILOSOPHIA 58 (2):55-67.
    My aim in this paper is to analyze the way in which Edmund Husserl deals with the problem of the constitution of image in his writings. The difference between a common thing and a work of art lies in the fact that the ‘thing’ is submitted as an object to perception, while the work of art is the product of the human capacity called imagination or fantasy (Phantasie). Therefore, the difference between perception (which is an objectifying act) and imagination (which (...)
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