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Poetry

In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press (2003)

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  1. Social robots, fiction, and sentimentality.Raffaele Rodogno - 2016 - Ethics and Information Technology 18 (4):257-268.
    I examine the nature of human-robot pet relations that appear to involve genuine affective responses on behalf of humans towards entities, such as robot pets, that, on the face of it, do not seem to be deserving of these responses. Such relations have often been thought to involve a certain degree of sentimentality, the morality of which has in turn been the object of critical attention. In this paper, I dispel the claim that sentimentality is involved in this type of (...)
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  • The Verse-Line as a Whole Unit in Working Memory, Ease of Processing, and the Aesthetic Effects of Form.Nigel Fabb - 2014 - Royal Institute of Philosophy Supplement 75:29-50.
    Verse is text which is divided into lines. In this paper I explore a psychological account of how verse is processed, and specifically the hypothesis that the text is processed line by line, such that each line is held as a whole sequence in the limited capacity of working memory. I will argue that because the line is processed in this way, certain low-level aesthetic effects are thereby produced, thus giving a partial explanation for why verse is often a highly (...)
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