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  1. The morality of musical imitation in Jean-Jacques Rousseau.Guy Dammann - 2005 - Dissertation, King's College London
    The thesis analyses the relation between Rousseau’s musical writings and elements of his moral, social and linguistic philosophy. In particular, I am concerned to demonstrate: (i.) how the core of Rousseau’s theory of musical imitation is grounded in the same analysis of the nature of man which governs his moral and social philosophy; (ii.) how this grounding does not extend to the stylistic prescriptions the justification of which Rousseau intended his musical writings to offer. The central argument draws on Rousseau’s (...)
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  • The neuroaesthetics of prose fiction: pitfalls, parameters and prospects.Michael Burke - 2015 - Frontiers in Human Neuroscience 9:155173.
    There is a paucity of neuroaesthetic studies on prose fiction. This is in contrast to the very many impressive studies that have been conducted in recent times on the neuroaesthetics of sister arts such as painting, music and dance. Why might this be the case, what are its causes and, of greatest importance, how can it best be resolved? In this article, the pitfalls, parameters and prospects of a neuroaesthetics of prose fiction will be explored. The article itself is part (...)
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  • De la emoción al sentido: aplicación docente de la teoría de tópicos en musicología.Águeda Pedrero-Encabo & Miguel Díaz-Emparanza - 2023 - Human Review. International Humanities Review / Revista Internacional de Humanidades 12 (4):1-18.
    Este proyecto de innovación tiene como objetivo subsanar las dificultades del alumnado del Grado en Historia y Ciencias de la Música para utilizar las herramientas de análisis musical. Está orientada a las competencias curriculares de la asignatura Música y pensamiento en el siglo de las luces (s. XVIII), que requiere un trabajo analítico del repertorio de música tonal Centroeuropea en conexión con las corrientes estilísticas y de pensamiento de la época. Se han desarrollado una serie de estrategias didácticas que conectan (...)
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  • Music theory in late kafka.John Vignaux Smyth - 1998 - Angelaki 3 (2):169 – 181.
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  • Deconstruction, Musicology and Analysis: Some Recent Approaches in Critical Review.Christopher Norris - 1999 - Thesis Eleven 56 (1):107-118.
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