In this article I examine similarities between the science and ethics of biotechnology on the one hand, and those of alchemy on the other, and show that the understanding of nature and naturalness upon which many contemporary ethical responses to biotechnology are predicated is, in fact, significantly similar to the understanding of nature that was the foundation of the practice of alchemy. In doing so I demonstrate that the ethical issues and social responses that are currently arising from advances in (...) the field of biotechnology are interestingly similar to those that arose in reaction to the practice and prevalence of alchemy from its inception in Europe in the mid-twelfth century until at least the early modern period. I argue that a proper conception of the ethical issues and a sensible interpretation of the power and the promise of the science of biotechnology are most likely if we understand such attitudes to nature, and to the ethical issues surrounding technological and scientific developments, in terms of an historical and cultural continuum. That is, we should regard biotechnology as merely the latest in a string of technological and scientific developments rather than, as is often alleged, as something entirely new, requiring its own special ethical response. Finally, I suggest that examining the parallels between the ethical issues generated by alchemy and by biotechnology show us that such issues are best situated and discussed within a framework of virtue ethics, as it allows us to think seriously about the relationship between art and nature and the proper role of humans in relation to their technology.Keywords: Ethics; Alchemy; Biotechnology; Bioethics; Virtue ethics; Notions of nature. (shrink)

Scientists and engineers who extensively use the term “nanomachine” are not always aware of the philosophical implications of this term. The purpose of this paper is to clarify the concept of nanomachine through a distinction between three major paradigms of machine. After a brief presentation of two well-known paradigms - Cartesian mechanistic machines and Von Neumann's complex and uncontrolled machines – we will argue that Drexler's model was mainly Cartesian. But what about the model of his critics? We propose a (...) third model - Gilbert Simondon's notion of concrete machines – which seems more appropriate to understand nanomachines than the notion of “soft machines”. Finally we review a few strategies currently used to design nanomachines, in an effort to determine which paradigm they belong to. (shrink)

The author presents a critical edition of the Latin treatise De mineralibus, which was generally attributed to Aristotle in the Middle Ages, but is in fact an abridgement of two chapters from Avicenna’s Kitāb al-Šifā’ compiled and translated from Arabic by Alfred of Sareshill, who put them at the end of the Liber metheororum, the first Latin version of Aristotle’s Meteorology. De mineralibus is transmitted by more than a hundred manuscripts. The edition is based on the complete collation of ten (...) witnesses of the text, selected according the stemma codicum proposed in vol. X.1 of Aristoteles Latinus, in which part IV of the Liber metheororum has been published. In addition to the editorial criteria, the author presents and discusses some peculiarities of Alfred’s Arabic-Latin translation. The edition is accompanied by Latin-Arabic and Arabic-Latin glossaries. (shrink)

Albertus Magnus’ alchemy is a subject that has attracted the attention of the scholars since the early decades of the 20th century. Yet, the research that has been conducted this far is characterised by its non philosophical character. As a matter of fact, the previous studies approached Albertus’ alchemy either in terms of history of science or of intellectual history. In this paper, I focus on Albertus’ definition of alchemical transmutation that is found in his De mineralibus and I analyze (...) it in terms of his theory of creation and of his theory of matter. Therefore, I show whether a re-creation of a metal is in accordance with Albertus’ philosophy and congruently I bring forth the Aristotle Graecus and the Aristotle Latinus that are found as background in his alchemical theory of transmutation. Ultimately this paper aims to show that the aforementioned theory is not an arbitrary statement from Albertus’ part, but the result of a serious philosophical endeavour. (shrink)

This paper investigates the relation between Gabriel Plattes’ cosmology and theory of matter, on the one hand, and his method of experimentation, on the other. In my view Plattes based his cosmology and theory of matter on specific “principles of nature” expressed as alchemical qualitative relations between bodies, and these principles formed the theoretical framework for his experimental method and technologies. I also claim that Plattes’ method of experimentation has heuristic purposes, acting as a tool to instantiate and illustrate these (...) natural principles. By quantifiable manipulations of matter, Plattes made use of experimentation to provide technologies whose immediate purpose was to ameliorate or improve the material world. (shrink)

Jednym z filozoficznym problemów, który wyrósł na gruncie arystotelesowskiej filozofii przyrody, jest debata „natura a kunszt”. Filozoficzna dyskusja nad kryteriami odróżnienia wytworów naturalnych od artefaktów kunsztu ludzkiego i proponowane w ramach niej rozstrzygnięcia wpłynęły na ukształtowanie się stanowiska eksperymentalizmu. Celem artykułu jest przedstawienie, w jaki sposób argumenty podnoszone w filozoficznej debacie „naturalne a sztuczne” wpłynęły na kształt filozofii eksperymentu i naturalizmu Roberta Boyle’a, a w konsekwencji na postać filozoficznych założeń współczesnego eksperymentalizmu.

A widespread view of the natural sciences holds that their historical development was accompanied by a constantly widening gap between them and magic. Originally closely bound up with magic, the sciences are supposed to have distanced themselves from it in a long-drawn-out process, until they attained their present magic-free form. I would like, in this essay, to discuss some arguments in support of this plausible view. To this end, I shall begin with a definition of magical and scientific concepts of (...) nature. To exemplify the gap which, over several epochs, widened between the magical and the scientific understanding of nature, I would like to examine two concepts in natural science, both assumed by physics. The first concept I select is Aristotle's concept of physis. It was fundamental to the emergence of physics, and sets its mark on thought in this field right up to the beginning of the modern period. The distinctive characteristic of the second concept of nature is negative, consisting in the elimination of the Aristotelian distinction between physis and techne. I consider Galileo Galilei to be a trail-blazer for this anti-magical position, as well as a co-founder of experimental science with his mechanical and astronomical works. As a conclusion I will say something of the relationship of magic to concepts of nature typical of the following period, both in physics and other natural sciences. (shrink)