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  1. Modeling Cuteness: Moving towards a Biosemiotic Model for Understanding the Perception of Cuteness and Kindchenschema.Jason Mario Dydynski - 2020 - Biosemiotics 13 (2):223-240.
    This research seeks to expand on the current literature surrounding scientific and aesthetic concepts of cuteness through a biosemiotic lens. By first re-evaluating Konrad Lorenz’s Kindchenschema, and identifying the importance of schematic vs featural perception, we identify the presence of a series of perceptual errors that underlie existing research on cuteness. There is, then, a need to better understand the cognitive structure underlying one’s perception of cuteness. We go on to employ the methodological framework of Modeling Systems Theory to identify (...)
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  • Catties and t-selfies: On the “I” and the “we” in trans-animal cute aesthetics.Eliza Steinbock - 2017 - Angelaki 22 (2):159-178.
    This article responds to the phenomenon of Internet cats becoming pervasive in Web 2.0, while at the same time digitally shared self-portraits, commonly called “selfies,” also circulate with extremely high frequency. The author tracks the efficacy of sharing selfies for trans/two Spirit individuals such as artist Kiley May and in trans-centric hashtag campaigns. It shows that trans-animality in digital life can offer sovereign forms of subjectivity and engages response patterns that locate a trans point of regard. Further, it seeks to (...)
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  • The Technology of the Cute Body.Joel Gn - 2018 - Eidos. A Journal for Philosophy of Culture 2 (4):14-26.
    This article considers the appeal of the cute body and its ambiguous relationship with the lovable. While cuteness is an aesthetic that is subjectively determined and expressed, it can also embellish a body with features that are standardized by systems of commodification. The cute body possesses a diminutive and vulnerable charm, but it is also an object that is augmented to solicit the subject’s love and control. Hence, the aesthetic of cuteness may seem to disempower the object, but it is (...)
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  • Rainbow coloured dots and rebellious old ladies: The gurlesque in two contemporary Swedish comic books.Maria Margareta Österholm - 2018 - European Journal of Women's Studies 25 (3):371-383.
    The term gurlesque refers to an aesthetics that mixes feminism, femininity, the grotesque and the cute. This article explores how contemporary Swedish feminist comic books do gurlesque theory with the aim of contributing to the theoretical conversation about feminine aesthetics and gurlesque. The study focuses on two contemporary Swedish comic books, Jag är din flickvän nu by Nina Hemmingsson and Allt kommer bli bra by Lisa Ewald. The article views gurlesque as a queer aesthetics, as a form of wilful misinterpretation (...)
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