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  1. „They Never Dance”: The Choreography of Le Sacre du Printemps, 1913.Hanna Järvinen - 2013 - Avant: Trends in Interdisciplinary Studies 4 (3):69–108.
    In this text, I discuss Vaslav Nijinsky's choreography of Le Sacre du Printemps as it appears in the light of primary source materials from 1913. By focusing on the unique challenges Nijinsky posed to his dancers in terms of movement style and composition, I contest many of the frequently-heard claims made about this work, particularly its danced component, and argue that Nijinsky's choreographic ideas challenged both dancers and critics by questioning the ontological qualities of dance in contemporary discourse.
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  • Hypnosis Reconsidered, Resituated, and Redefined.Adam Crabtree - 2012 - Journal of Scientific Exploration 26 (2).
    The two-hundred-year history of hypnosis and its predecessor, animal magnetism, is replete with stories of unusual phenomena. Perhaps surprisingly, a close reading of that history reveals that investigators and students of hypnosis have been unable to achieve an agreed-upon definition of their subject matter. Because of this failure to describe the essential nature of hypnosis, they resorted to lists of hypnotic phenomena as a means for confirming the presence of a hypnotic state in clinical and experimental situations. However, identification and (...)
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