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  1. Modern Japanese Philosophy: Historical Contexts and Cultural Implications.Yoko Arisaka - 2014 - Royal Institute of Philosophy Supplement 74:3-25.
    The paper provides an overview of the rise of Japanese philosophy during the period of rapid modernization in Japan after the Meiji Restoration (beginning in the 1860s). It also examines the controversy surrounding Japanese philosophy towards the end of the Pacific War (1945), and its renewal in the contemporary context. The post-Meiji thinkers engaged themselves with the questions of universality and particularity; the former represented science, medicine, technology, and philosophy (understood as ) and the latter, the Japanese non-Western tradition. Within (...)
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  • Concretizing an Ethics of Emptiness: The Succeeding Volumes of Watsuji Tetsurô’s Ethics.Anton Luis Sevilla - 2014 - Asian Philosophy 24 (1):82-101.
    Watsuji Tetsurô’s Ethics is one of the most important works in Japanese ethical thought. But scholarly research in English has largely focused on the first of three volumes of Ethics, leaving the latter two oft-neglected. In order to balance out the views of Watsuji’s ethics, this paper focuses on the contributions of the second and third volumes of Ethics. These volumes are essential for any concrete understanding of Watsuji’s ‘ethics of emptiness’. The second volume develops the ideas of the first, (...)
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  • A Confucian in Buddhist clothing? – Interpreting Nishida’s conception of the good as a realisation of the Mandate of Heaven.Thomas Parry Rhydwen - 2018 - Asian Philosophy 28 (4):368-392.
    ABSTRACTIn this study, I examine the Confucian influence upon An Inquiry into the Good, the first publication of Nishida Kitarō. Nishida’s student Kōsaka Masaaki depicts his mentor’s conception of the good in terms of realising the 'Mandate of Heaven'. Taking this to be indicative of the importance of Confucianism for Nishida’s early thought, I compare his philosophy of pure experience and ethical project of ‘self-realisation’ with corresponding ideas found in the Confucian corpus. I especially focus on the Great Learning and (...)
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  • Acting-Intuition and Pathos in Nishida and Miki: For the Invisible of the Post-Hiroshima Age, or Irradiated Bodies and Power.Nobuo Kazashi - 2010 - Diogenes 57 (3):89-102.
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