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Ontology of production: three essays

Kitarō Nishida

Durham, NC: Duke University Press. Edited by William Wendell Haver (2012)

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“Whose Science? Whose Fiction?” Uncanny Echoes of Belonging in Samosata.Sabrina M. Weiss & Alexander I. Stingl - 2015 - Bulletin of Science, Technology and Society 35 (3-4):59-66.details This is the first of two special issues and the articles are grouped according to two themes: This first issue will feature articles that share a theme we call Technologies and the Political, while the second issue will feature the theme Subjectivities. However, we could equally consider them exercises in provincialization in the (counter)factual register in the first issue, and by affective historiography as conceptual-empirical labor(atory) in the second issue. What we have generally asked of all authors is to consider (...) Download Export citation Bookmark
The kyoto school.Bret W. Davis - 2008 - Stanford Encyclopedia of Philosophy.details Download Export citation Bookmark 13 citations
Perception, Expression, and the Continuity of Being: Some Intersections between Nishida and Gadamer.David W. Johnson - 2014 - Asian Philosophy 24 (1):48-66.details Gadamer’s notion of dialogical truth relies on the claim that self and world “belong together” as aspects of a single, unitary phenomenon, one which is made manifest in language. This view has difficulty, however, accounting for that which is untruthful. To get past this obstacle I suggest that we turn to Nishida’s work, which shows how we can bring self and world together into a kind of harmony such that the cultivation of perception makes possible truthful expression. Download Export citation Bookmark 4 citations
The Concept of Myth in Kōsaka Masaaki and Miki Kiyoshi’s Critique.Fernando Wirtz - 2021 - Comparative Philosophy 13 (1).details This paper explores the concept of myth in two books written by Kōsaka Masaaki, The Historical World and Philosophy of the Nation. In both, myth appears as a central moment in the transition from primitive to modern societies. The role of myth is closely related to Kōsaka’s notion of nature, since one goal of his reflection is to show how history is supported by the “substratum” of nature. In this sense, he also distinguishes between the natural and historical aspects of (...) Download Export citation Bookmark
Book review: Ontology of Production: Three Essays, written by Nishida Kitarō. [REVIEW]Viren Murthy - 2014 - Historical Materialism 22 (2):219-236.details This is a review-essay on William Haver’s recent translation of three essays by Nishida Kitarō in a volume entitledOntologies of Production. Nishida is one of the founders of the famous Kyoto School of philosophy and, while his philosophy is not really Marxist, Haver attempts to bring Nishida into dialogue with Marx in his Introduction and through his selection of essays to translate. I attempt to situate Haver’s translation in a brief discussion of a recent debate on how to write modern (...) Download Export citation Bookmark

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