This study develops a biosemiotic framework for a descriptive phenomenology. We incorporate the set _utterance-genre-lifeworld_ in biosemiotic theory by paralleling it with the Peircean-Uexküllean notions of _sign_, _habit_, and _Umwelt_ (respectively). This framework for empirical semiotic studies aims to complement the concepts of _affordance_ and _scaffold_, as applied in studies on learning. The paper also contributes to bridging Bakhtinian-Hallidayian-Habermasian views on utterance, genre, and lifeworld with biosemiotics. We exploit the possibility that biosemiotics offers to bring together hermeneutic and phenomenological analysis. (...) We relate these views to integrated _levels_ in a systemic framework for communication. Signs are seen as inter-dependent construction elements in utterances. Repeated use of utterances in shifting contexts generates shared recognizable _kinds_ of communication, or genres. ‘Life-genre’ is used in a zoo-communication context, to avoid anthropocentrism. _Life-genre_ serves animals’ life-functions. Genres make up a systemic network of communicational resources, along with the related concepts of event, affordance, and scaffold. Utterance, genre, and lifeworld have five aspects, constituting an integrative approach to communication: form, content, act, time, and space. Semiosis and positioning are _processes_ that connect aspects and levels. Levels, aspects, and processes make up the framework as a system. While biosemiotics supports a phenomenological notion of life-genre, in turn, this notion also contributes to the development of the former, bridging a gap between organisms’ sign experience on a micro-level and organisms’ phenomenal lifeworld/Umwelt. Comparisons of _lifeworld_ and _Umwelt_ reveal that, although not identical, these are sufficiently similar to be perceived as an overall _macro-_level for signs and communication. Starting from a construal of utterance and genre as dynamic, dialogical, and reciprocal, genre is positioned as _meso_-level, mediating between signs in utterances and the lifeworld/Umwelt level. We propose _genres_, understood as semiotic scaffoldings built through affordances, as an analytical concept to capture meso-level phenomena. Scaffolding is determined by both ongoing events and (pre-)available genres. Events are manifestations of these scaffolding processes. Identifying animal and educational communication as two particularly relevant fields for future applications, we compare key socio-semiotic concepts to the notions of sign, habit, and Umwelt. The notions affordance and scaffolding are particularly important to think of learning as continuous with adaptation. An overall aim is to broaden as well as finetune semiotic _phenomenology_ as a platform for empirical analyses of communication. We conclude by exemplifying and summarizing how the framework facilitates this. (shrink)

Space and time have been explained not in terms of physical entities but in terms of practice, that is, based on communication, which includes spacetime code in the _A-series_, _B-series_, and _E-series_. Each code has a unique grammar, and it progresses through _boundary operation_, i.e., setting the limit and transgressing it, but in each distinct way. The purpose of this paper is to introduce the notion of _event matching_ to elucidate the mechanism of meaning-making through _boundary operations_. Biological spacetime production (...) is an incessant _effort after meaning_ in the adaptive process, where the _dia-metric_ scale in the _E-series_ necessitates anticipatory (retrocausal) actions in the steps of interaction. This paper suggests that the three terms — _event matching_, meaning making, and spacetime production — are synonymous with each other in biological worlds. Evidence-based examples are provided to support the arguments. (shrink)