In my thesis, I aim to develop a systematic and philosophically coherent thesis of ultimate reality for Ibn Arabi. In this pursuit, I adopt the style of analytic philosophy, seeking to employ and utilise some of its methods and theories. The philosophical aspects of Ibn Arabi’s doctrine are in dire need of conceptual clarification and systematic analysis with a closer focus on argumentation. The analytic tradition will prove most helpful in this regard. In my thesis, I begin by tracing Ibn (...) Arabi’s related views and concepts as they are dispersed throughout his writings. I then clarify, sharpen and, in many cases, develop these views and concepts into fully constructed forms. Finally, I weave the developed concepts and views into a systematic thesis or set of sub-theses. Where necessary, I provide my own arguments and concepts to help substantiate and strengthen the structure of Ibn Arabi’s thesis. I propose that Ibn Arabi’s various, and sometimes apparently inconsistent, views are best presented in terms of three main concepts: the concept of ultimate reality as existence, which has long been known as Ibn Arabi’s thesis of the oneness of existence ; the concept of ultimate reality as the Divine Self ; and the concept of ultimate reality as God. The three concepts neither represent different ultimate realities nor different perspectives of the same ultimate reality. Instead, they represent the same ultimate reality but each one has its own unique scope and encompassment. The three concepts are aimed at encompassing Ibn Arabi’s various views and concepts of ultimate reality in a consistent and systematic manner. (shrink)

Článek se zabývá pojmem panteismus v období renesance. Ačkoli termín panteismus se objevil až na konci 17. století a později v kontextu tzv. “Pantheismusstreit”, za předchůdce moderního panteistického myšlení byl označen renesanční filosof Giordano Bruno. Následně i Mikuláš Kusánský, a to jakožto pokračovatel myšlení Mistra Eckharta, začal být považován za panteistu. Jak Kusánský, tak Bruno v určitém smyslu obhajovali imanenci božského ve světě, avšak zároveň oba zdůrazňovali rozdíl mezi Bohem a přírodou a připisovali Bohu transcendenci nebo přinejmenším transcendentální aspekty. Toto (...) není v souladu s definicí panteismu v tzv. silném slova smyslu, kdy se tvrdí striktní identita Boha a světa. Zdá se, že pojem renesanční panteismus je konstruktem, který byl vytvořen skrze násilnou aplikaci terminologie osvícenské filosofie na renesanční období. (shrink)