Thai installation art provides a view into modern, non-monastic experiences of Buddhism. Buddhist practice and scholarship often depend on centuries-old ritual practices and texts, and designated religious sites and persons. However, installation art illumines a fluxing and organic Buddhism – and one that is increasingly globalised and public. An evolving artistic zeitgeist is fused with classical tenets of Buddhism and diverse spiritualties. Each with a unique flair and multi-media repertoire, artists such as Jakkai Siributr, Montien Boonma, Sarawut Duangjampa, Chalermchai Kositpipat (...) and others are offering creative contemplations on Buddhism today. Their works are often experienced in a leisurely fashion by the attending public, amidst social outings or intellectual excursions. People are encouraged to react however they wish to installations, which are themselves fundamentally transient – lasting usually between three and six months. Buddhism is thus asserted as an on-going project: a continual discovery rather than a quest for knowledge from the past. (shrink)

(2002). Promised Lands: Cinema, Geography, Modernism. Ethics, Place & Environment: Vol. 5, No. 3, pp. 287-288.

This paper seeks to illuminate the experiential structures implied in the viewing of televangelistic programming – with particular focus on programming of the charismatic faith-healing variety that culminates in the televangelist’s appeal to viewers to “touch the screen” and consummate a communion that transcends the separation implied by the televisual medium. By way of a “techno-phenomenological” analysis of this marginal media scenario, faith-healing televangelism is shown to involve experiential paradoxes that are tied to processes of social marginalization as well. Thus, (...) it is argued, faith-healing televangelism functions as a call to viewers to mount a head-on confrontation with the technological infrastructure of secular modernity and thereby to effect a specifically material negotiation of evangelical culture’s precarious balancing act between an entrenchment in and a self-marginalization from the secular mainstream. (shrink)