This is the first in a series of two articles that serve as an introduction to recent debates about cognitive phenomenology. Cognitive phenomenology can be defined as the experience that is associated with cognitive activities, such as thinking, reasoning, and understanding. What is at issue in contemporary debates is not the existence of cognitive phenomenology, so defined, but rather its nature and theoretical role. The first article examines questions about the nature of cognitive phenomenology, while the second article explores the (...) philosophical implications of these questions for the role of consciousness in theories of intentionality, introspective self-knowledge, and knowledge of the external world. (shrink)

What connection is there between linguistic sounds and meaning? The present study claims that there is no such connection, and that linguistic sounds are the same as meaning. It is traditionally accepted that there is an arbitrary association between linguistic sounds and meaning. In the present paper, drawing from the concept of language authority for mind, I will talk about a distinction between live time of understanding - in which linguistic sounds are produced and understood - and non-live or historical (...) time of understanding. Through making this distinction, I will show that in live time of understanding, assuming any relationship between the mental state of linguistic sounds and that of meaning is inadequate, and that the best way to explain why linguistic sounds are understood instantly and effortlessly as soon as they are heard is to imagine that linguistic sounds are the same as meaning or that at least we are only faced with a single sound-meaning mental state. In addition, making a comparison between hearing linguistic sounds and seeing objects helps us consider linguistic sounds the same as meaning in the context of live time of understanding. (shrink)

The cognitive experience view of thought holds that the content of thought is determined by its cognitive-phenomenal character. Adam Pautz argues that the cognitive experience view is extensionally inadequate: it entails the possibility of mix-and-match cases, where the cognitive-phenomenal properties that determine thought content are combined with different sensory-phenomenal and functional properties. Because mix-and-match cases are metaphysically impossible, Pautz argues, the cognitive experience view should be rejected. This paper defends the cognitive experience view from Pautz’s argument. I build on resources (...) in the philosophy of mind literature to show that cognitive-phenomenal properties are modally independent from sensory-phenomenal and functional properties. The result is that mix-and-match cases, though modally remote, are metaphysically possible. The possibility of mix-and-match cases allows us to move from defensive posture to a critical one: it poses problems for any theory of content that imposes rationality constraints, including Pautz’s positive view, phenomenal functionalism. (shrink)

Casey O’Callaghan has argued that rather than hearing meanings, we hear phonemes. In this note I argue that valuable though they are in an account of speech perception – depending on how we define ‘hearing’ – phonemes either don’t explain enough or they go too far. So, they are not the right tool for his criticism of the semantic perceptual account (SPA).

In this paper we claim, first, that there are high-level visual experiences of grouping properties, i.e., properties that an array of elements we see can have to be organised in a certain way. Second, we argue that there are auditory experiences of groupings that share certain important properties with visual experiences of groupings, thereby being perceptual and high-level as well. Third, these results enable us to understand the nature and structure of our meaning experiences. We claim that, although meaning experiences (...) depend on the auditory experiences we discuss, they are not perceptual, for they lack one of the features that make those auditory experiences perceptual; namely, being holistically attended to. (shrink)

How do we become aware of the properties or states that are expressed by gestures, utterances, and facial expressions? This paper argues that expression raises peculiar problems, distinct from those of property perception in general. It argues against some current accounts of awareness of expressed states, before proposing an account which appeals to the notion of empathy. Finally, it situates the proposed account within current discussions of expression in the philosophy of music.