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Adorno's Reconception of the Dialectic

In Stephen Houlgate & Michael Baur (eds.), A Companion to Hegel. Malden, MA: Wiley‐Blackwell. pp. 537–555 (2011)

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  1. Adorno, Hegel, and Dialectic.Alison Stone - 2014 - British Journal for the History of Philosophy 22 (6):1118-1141.
    This article explores critical theory's relations to German idealism by clarifying how Adorno's thought relates to Hegel's. Adorno's apparently mixed responses to Hegel centre on the dialectic and actually form a coherent whole. In his Logic, Hegel outlines the dialectical process by which categories – fundamental forms of thought and reality – necessarily follow one another in three stages: abstraction, dialectic proper, and the speculative . Adorno's allegiance to Hegel's dialectic emerges when he traces the dialectical process whereby enlightenment reverts (...)
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  • Reason, power and history.Amy Allen - 2014 - Thesis Eleven 120 (1):10-25.
    This paper re-examines the relationship between power, reason and history in Horkheimer and Adorno’s "Dialectic of Enlightenment." Contesting Habermas’ highly influential reading of the text, I argue that "Dialectic of Enlightenment," far from being a dead-end for critical theory, opens up important lines of thought in the philosophy of history that contemporary critical theorists would do well to recover. My focus is on the relationship that Horkheimer and Adorno trace between enlightenment rationality and the domination of inner and outer nature.
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  • History, critique, experience: On the dialectical relationship between art and philosophy in Adorno’s aesthetic theory.Justin Neville Kaushall - forthcoming - Philosophy and Social Criticism.
    In Aesthetic Theory, Adorno argues that, in modernity, art and philosophy are reciprocally dependent upon each other for legitimation and critical force. This claim has puzzled scholars and provoked controversy. I argue that Adorno’s thesis may be comprehended in the following manner: art requires philosophy because, without the latter, art would lack the power to critique social and historical reality (in particular, the ideological elements that often remain invisible as second nature), and to rationally interpret the material particularity expressed by (...)
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  • Negative Organicism: Adorno, Emerson, and the Idea of a Disclosing Critique of Society.Arvi Särkelä - 2020 - Critical Horizons 21 (3):222-239.
    ABSTRACT This article articulates the idea of a disclosing critique of society. It starts from the assumption that the curiously organicistic undertones of Adorno’s negative social ontology is part and parcel of a disclosing gesture in his social criticism. It then traces Adorno’s debate with social organicists to the point where the critical theorist’s own concept of society emerges with a claim to be critical in itself. It is argued that this critical claim is enforced by a disclosing gesture. To (...)
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  • The melancholic gaze: Adorno's concept of interpretation as dialectical negation and critical speculation.Justin Neville Kaushall - 2021 - Constellations 28 (3):337-349.
    Constellations, Volume 28, Issue 3, Page 337-349, September 2021.
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