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  1. Introduction: Reusing Research Film and the Institute for Scientific Film.Anja Sattelmacher, Mario Schulze & Sarine Waltenspül - 2021 - Isis 112 (2):291-298.
    This introduction outlines the threefold contribution that this Focus section on research film offers. First, it introduces the vast collection of films from the former Institute for Scientific Film (Institut für den Wissenschaftlichen Film [IWF]), arguably the most ambitious endeavor ever undertaken to manage the distribution, production, and archiving of research films. At the same time, the institute’s questionable roots in the National Socialist education system and in war research are addressed. Second, the introduction points out that the Focus section (...)
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  • The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain.Max Long - 2020 - British Journal for the History of Science 53 (4):527-551.
    This article analyses the production and reception of the natural history film series Secrets of Nature and its sequel Secrets of Life, exploring what these films reveal about the role of cinema in public discourses about science and nature in interwar Britain. The first part of the article introduces the Secrets using an ‘intermedial’ approach, linking the kinds of natural history that they displayed to contemporary trends in interwar popular science, from print publications to zoos. It examines how scientific knowledge (...)
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