The originality of Karl Polanyi's work in the interwar period has gained increasing recognition in recent years, during which time the major debate on modernity has erupted. In order to link Polanyi's work with this debate, I will first discuss his legacy on the controversial concept of progress, and then relate his position to this debate. It is my contention that Polanyi's position combines the better aspects of the two rival approaches to modernity. I will then re-link Polanyi's thought to (...) the intellectual figures, movements and climate of his time and thereby disclose a curious affinity between his thought and the Critical Theory of the Frankfurt School. This affinity can best be understood within the parameters of the historical context that they once shared. (shrink)

In recent decades, the concept of religion, and specifically its application to non-Western historic cultural formations has come unter critical scrutiny. This paper applies the analysis of semantic fields to three works by the medieval Japanese Buddhist monk Dōgen (1200–1253), who came to be revered as founder of the still extant Sōtō school of Zen Buddhism. By putting his notion of the ‘Buddha Way’ (butsudō) into strong relief, it provides a basis for comparison with modern concepts of religion. The conclusion (...) is that Dōgen’s ideas conform to a surprisingly large extent with modern ideas. This may be one reason for his popularity in modern times. But Dōgen should not be taken to represent the general world-view of medieval Japan. Further comparative analyses of other corpora remain necessary to gauge the applicability of‘religion’ as a category for the analysis of medieval Japanese culture. (shrink)