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  1. Phantom of consistency: Alain Badiou and Kantian transcendental idealism.Adrian Johnston - 2008 - Continental Philosophy Review 41 (3):345-366.
    Immanuel Kant is one of Alain Badiou’s principle philosophical enemies. Kant’s critical philosophy is anathema to Badiou not only because of the latter’s openly aired hatred of the motif of finitude so omnipresent in post-Kantian European intellectual traditions—Badiou blames Kant for inventing this motif—but also because of its idealism. For Badiou-the-materialist, as for any serious philosophical materialist writing in Kant’s wake, transcendental idealism must be dismantled and overcome. In his most recent works, Badiou attempts to invent a non-Kantian notion of (...)
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  • Naturalizing Badiou: mathematical ontology and structural realism.Fabio Gironi - 2014 - New York: Palgrave-Macmillan.
    This thesis offers a naturalist revision of Alain Badiou’s philosophy. This goal is pursued through an encounter of Badiou’s mathematical ontology and theory of truth with contemporary trends in philosophy of mathematics and philosophy of science. I take issue with Badiou’s inability to elucidate the link between the empirical and the ontological, and his residual reliance on a Heideggerian project of fundamental ontology, which undermines his own immanentist principles. I will argue for both a bottom-up naturalisation of Badiou’s philosophical approach (...)
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  • Alain Badiou, the Hebb-event, and materialism split from within.Adrian Johnston - 2008 - Angelaki 13 (1):27 – 49.
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  • Balzac and Theory, Balzac as Theory.Owen Heathcote - 2009 - Paragraph 32 (2):197-213.
    This article considers the changing relationship between Balzac and theory from the 1970s onwards when Balzac was a favoured, if disparaged, object of theorization, as in Barthes's S/Z. More recent critics, however, see the multi-layered énonciations of/in his texts as evidence of their ability to theorize their own relationship to history, society, sexuality — and literature. In the same way, moreover, as texts such as Sarrasine and Une passion dans le désert critique their own relation to literature, ostensibly theoretical Balzac (...)
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