Jonas Olson presents a critical survey of moral error theory, the view that there are no moral facts and so all moral claims are false. Part I explores the historical context of the debate; Part II assesses J. L. Mackie's famous arguments; Part III defends error theory against challenges and considers its implications for our moral thinking.

How can Hume account for the meaning of causal claims? The causal realist, I argue, is, on Hume's view, saying something nonsensical. I argue that both realist and agnostic interpretations of Hume are inconsistent with his view of language and intentionality. But what then accounts for this illusion of meaning? And even when we use causal terms in accordance with Hume’s definitions, we seem merely to be making disguised self-reports. I argue that Hume’s view is not as implausible as it (...) sounds by exploring his conception of language. (shrink)

ABSTRACT The phrase “Enlightenment rhetoric” typically denotes discourses bent on rejecting classical oratorical styles in favor of purportedly scientific ones. Likewise, scholars often associate Enlightenment rhetorical styles with the scientific epistemologies that emerged in the seventeenth and eighteenth centuries. This article reconsiders Enlightenment rhetoric by analyzing David Hume’s 1742 essay “Of Eloquence.” More specifically, the article argues that the Scottish Enlightenment context necessitated a rhetoric that compensated for the discursive limitations of new scientific worldviews. In so doing, the article argues (...) that Hume verbalizes the transcendent dimension of classical eloquence in ways commensurate with the emphasis on perspicuity emerging in English culture, a rhetorical maneuver that the author calls discursive transcendence. Hume’s “Of Eloquence” thus serves as a case study demonstrating how an Enlightenment writer advanced a rhetoric that both rejects and pulls from prior rhetorical traditions, constituting a new understanding of Enlightenment rhetoric. (shrink)

Hume’s claim that we project necessity onto objects we take to be causally related has been influential in contemporary discussions of modality, inspiring deflationary accounts of our modal commitments. Hume is commonly understood as holding that modal projection explains our judging that an effect must follow its cause. This misunderstands the role of projection in Hume’s discussions of causation and causal judgement. Projection is a diagnosis of a distinctively philosophical confusion: the commitment to mind-independent necessary connections. In arguing for this, (...) I provide an account of the psychological process that, in Hume’s view, underlies projection. This account resolves problems with Hume’s projectivism identified by his commentators. (shrink)

My aim is to look into the representational aspect of ideas, exploring not only to what Hume refers as adequate ideas, but also these cases where for a number of reasons an idea does not reach that standard. It has been suggested that the latter are fictions, but an in-depth examination of Hume texts reveals that there are several types of imperfections, such as incompleteness or imprecision that prevent an idea from being adequate. This leads to an analysis of the (...) status of supposed or pretended ideas, and the possibility of there being terms with no ideas annexed to them. (shrink)

The Southern Journal of Philosophy, EarlyView.

In his brief treatment of memory, Hume characterizes memory using two kinds of criteria: ideas’ phenomenal character and their correspondence to the past experiences from which they derived. These criteria have seemed so perplexing to interpreters, both individually and jointly, that Hume’s account of memory is commonly considered one of the weakest parts of his philosophical system. This paper defends Hume’s criteria by showing that they achieve two theoretical aims: a scientific classification of ideas and a definition of ‘memory.’ In (...) particular, I argue that Hume’s definition of ‘memory’ is cogent in light of Putnamian considerations about definitions. (shrink)