An odd dissensus between confident metaphysicians and neopragmatist antimetaphysicians pervades early twenty-first century analytic philosophy. Each faction is convinced their side has won the day, but both are mistaken about the philosophical legacy of the twentieth century. More historical awareness is needed to overcome the current dissensus. Lewis and his possible-world system are lionised by metaphysicians; Quine’s pragmatist scruples about heavy-duty metaphysics inspire antimetaphysicians. But Lewis developed his system under the influence of his teacher Quine, inheriting from him his empiricism, (...) his physicalism, his metaontology, and, I will show in this paper, also his Humeanism. Using published as well as never-before-seen unpublished sources, I will make apparent that both heavy-duty metaphysicians and neopragmatist antimetaphysicians are wrong about the roles Quine and Lewis played in the development of twentieth-century philosophy. The two are much more alike than is commonly supposed, and Quine much more instrumental to the pedigree of current metaphysics. (shrink)

W. V. Quine is arguably the intellectual father of contemporary naturalism, the idea that there is no distinctively philosophical perspective on reality. Yet, even though Quine has always been a science-minded philosopher, he did not adopt a fully naturalistic perspective until the early 1950s. In this paper, I reconstruct the genesis of Quine’s ideas on the relation between science and philosophy. Scrutinizing his unpublished papers and notebooks, I examine Quine’s development in the first decades of his career. After identifying three (...) commitments supporting his naturalism—viz. empiricism, holism, and realism—I piece together the evolution of Quine’s position by examining the origins of these commitments one by one, showing how his early views gradually evolved into the mature naturalistic position that would have such an enormous impact on post-war analytic philosophy. (shrink)

W. V. O. Quine’s assault on the analytic/synthetic distinction is one of the most celebrated events in the history of twentieth century philosophy. This paper shines a light on Quine’s own understanding of the history of this distinction. More specifically, this paper argues, contrary to what seems to be the received view, that Quine explicitly recognized a kindred subversive spirit in David Hume.

Hume seems to have discarded with final causes and teleology. However, his invocation of a pre-established harmony between the course of nature and the succession of our ideas suggests otherwise. This paper takes Hume’s general strategy of shifting to the external perspective into account, and argues that the seemingly internal property of force and vivacity are, in fact, functional-teleological properties. Force and vivacity bears many explanatory burdens: It explains the difference between imagination and memory, between conception and belief, and it (...) establishes causal necessity. What kind of property is this supposed to be? We can answer this question by taking into account Hume’s explanation of the way in which this very property is communicated in the cases of ideas of memory and belief, and of the function it performs in these cases. It will be argued that force and vivacity is not an intrinsic, phenomenal property of ideas. It is a relational and historical property. A major objective of the paper is the application of this interpretation from the case of ideas to the case of impression. What kind of history could transfer force and vivacity to impressions? Answer: natural history. By a careful examination of passages concerning innate capacities, passions, and animal instincts, we can make sense of the tenet that impressions have force and vivacity because of our natural history. It will be suggested that Hume’s philosophy of mind is fit to integrate Darwinian Design as an explanatory corner-stone. Hume, so scheint, ist ein scharfer Kritiker von Finalursachen und Teleologie. Seine häufig als ironisch missverstandene Berufung auf eine Art „prästabilierter Harmonie“ zwischen Naturverläufen und Ideenabfolgen verweist jedoch auf eine andere Lesart. Der folgende Essay behauptet, indem er Humes explanatorische Strategie betont, etwa im Falle seiner berühmten Lösung der skeptischen Zweifele zur Kausalität zu einer externen Perspektive zu wechseln, dass es sich bei der scheinbar geistinternen Eigenschaft „Kraft und Lebendigkeit“ tatsächlich um eine teleologisch- historische Eigenschaft handelt. Kraft und Lebendigkeit leisten in Humes Philosophie des Geistes eine große Erklärungsarbeit: Sie erklären den Unterscheid zwischen Vorstellung und Erinnerung, zwischen Vorstellung und Überzeugung, und sie stellen die wesentliche Zutat der kausalen Notwendigkeit dar. Doch um welche Art Eigenschaft handelt es sich? Diese Frage kannmit Blick auf Humes Ausführung darüber beantwortet werden, wie diese Eigenschaft auf Ideen der Erinnerung und auf Überzeugungsideen übertragen wird, und v.a. mit Blick auf die Funktion, die diese Eigenschaft übernimmt. Es soll gezeigt werden, dass es sich bei Kraft und Lebendigkeit um keine intrinsische, phänomenale Eigenschaft von Ideen handelt, sondern um eine relationale, historische Eigenschaft. Ein wichtiges Ziel des Essays besteht darin, diese Deutung von Ideen auf Eindrücke zu übertragen. Inwiefern kann es sich bei der Kraft und Lebendigkeit von Eindrücken umeine relationale und historische Eigenschaft handeln? Die Antwort findet sich in der Naturgeschichte, wie mit Verweis auf Humes Ausführungen zu angeborenen Fähigkeiten, Leidenschaften und tierlichen Instinkten gezeigt werden kann. Die Stoßrichtung des Essays besagt, dass Humes Philosophie des Geistes durchaus mit einer Darwinschen Auffassung des Geistes zusammengeführt werden kann. (shrink)