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  1. 18th century German aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
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  • Exposing the Rogue in Us.Annie Hounsokou - 2012 - Epoché: A Journal for the History of Philosophy 16 (2):317-336.
    Kant’s treatment of laughter in section 54 of the Critique of Judgment is intriguing: he places laughter among the arts, but does not deem it serious enough to be a fine art. According to Kant, laughter is an agreeable art, and ministers only to the senses. But when he describes to us what laughter actually does, it turns out that this bodily phenomenon is actually a moral phenomenon akin to the sublime in that it elevates and humbles us at the (...)
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  • Four Academics Essays. Johann Heinrich Lambert.Frédéric de Buzon - 2018 - Les Cahiers Philosophiques de Strasbourg 44:127-148.
    Les Essais réunis ici sont des interventions de Lambert à l’Académie des sciences de Berlin. Le Discours de réception envisage la question des secours mutuels que peuvent s’apporter les classes de l’Académie (et, à travers elles, les domaines du savoir qu’elles représentent). Les Observations sur quelques dimensions du monde intellectuel abordent, à travers la question du sublime, la manière dont quelques aspects du « monde physique » sont transférés aux dénominations dans le « monde intellectuel », c’est-à-dire celui de la (...)
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  • Justice and the State in the Thought of Levinas and Spinoza.Richard A. Cohen - 1996 - Epoché: A Journal for the History of Philosophy 4 (1):55-70.
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  • Arguing Terror.Philippe-Joseph Salazar - 2020 - Argumentation 34 (1):101-115.
    The Caliphate of the Islamic State developed a complex system of online argumentation that mediated and spanned the whole spectrum of jihadist literacy, from glossy magazines to short messages on social networks, from combattant letters to multimedia postings, and from chants to battle-field harangues and sermons. The overall effect was “terrifying” in the etymological sense of the word as arguments served to establish a unique intellectual “territory” that redoubled the physical one. It was molded by a sustained rhetoric that incorporated (...)
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