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Split Resolution in Greek Dramatic Lyric

L. P. E. Parker

Classical Quarterly 18 (2):241-269 (1968)

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Notes on Greek tragedy, II.T. C. W. Stinton - 1977 - Journal of Hellenic Studies 97:127-154.details So Pearson. The strange series of hypodochmiacs here and atO.T.1207 ff., with brevis in longo without pause atAj.421 andO.T.1208, seems metrically self-contained, despite their syntactical interdependence (esp.Aj.421–2οὐκέτ' ἄνδρα μὴ \| τόνδ' ἴδητ', so that the word-overlap ofοἷονinto iambics in Pearson's text is unlikely.ἑξερῶ μέγαshould therefore be writtenplena scriptura. Thenοἷον οὔτιν' ἁ Τροί\|α στρατοῦ…is possible, but the ithyphallic with word-overlap, sometimes found in the syncopated iambics of Aeschylus, is foreign to Sophocles. Divideἐξερῶ μέγα, \| οἷον οὔτινα \| Τροία…Thenϕίλοι τοῖσδ' ὁμοῦ = (...) Download Export citation Bookmark 4 citations
Further critical notes on Euripides' Hippolytus.C. W. Willink - 1999 - Classical Quarterly 49 (02):408-.details 29–33. Phaedra's ἒρως must at first have been without betraying symptoms, by contrast with the change at Trozen to symptoms of νόσος as described in 34–40. We need to be told that explicitly, in preparation for 34ff. and in conjunction with the potentially revealing foundation of a temple to Aphrodite. We therefore need not only Jortin's ὀνομάσουσιν for ὠνόμαζєν in 33, but also my δηλον for ἒκδηλον in 32. The nearby ἒκδηλον in 37 will have played a part in the (...) corruption. (shrink) Download Export citation Bookmark
Euripides, Supplices 71–86 and the Chorus of 'Attendants'.C. W. Willink - 1990 - Classical Quarterly 40 (02):340-.details The first choral ode of Euripides' Supplices, or the Parodos if that term can be used for an ode which is not an ‘entry’, ends with two stanzas of lyric-iambic threnody, following four stanzas of supplication in ionic metre As Collard comments, this structure is broadly similar to, and very possibly modelled upon, A. Pers. 65–114, 115–39. But there is an important difference here: prima facie, the ‘further∕different concerted lament’ in 71ff. is sung and performed by the πρсπολοι mentioned in (...) Download Export citation Bookmark
On the Manuscripts and Text of Euripides, Medea.James Diggle - 1983 - Classical Quarterly 33 (2):339-357.details Murray's edition ofMedea(1902) made use of five manuscripts: BAVLP. Page (1938) added a sixth, the Jerusalem palimpsest, H. ButMedeais preserved in six more manuscripts (I do not count apographs), which Murray and Page cite rarely or never. I investigate here the value and affiliations of these six and of a fragmentary seventh (F), which they do cite. The seven manuscripts are:O (Florence, Bibl. Laurenziana, 31. 10), late twelfth century2C (Vatican, Vaticano greco 910), fourteenth century; lacks 880–4, 1050 to the end3D (...) Download Export citation Bookmark
On the Orestes of Euripides.James Diggle - 1990 - Classical Quarterly 40 (01):100-.details I cite manuscripts from my own collations. Information about most of these manuscripts, and explanation of the symbols by which I designate them, may be found in A. Turyn, The Byzantine Manuscript Tradition of the Tragedies of Euripides , K. Matthiessen, Studien zur Textüberlieferung der Euripideischen Hekabe , and D. J. Mastronarde and J. M. Bremer, The Textual Tradition of Euripides' Phoinissai . I shall discuss the affiliations and the relative value of these manuscripts on a later occasion. For the (...) Download Export citation Bookmark

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