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Kierkegaard, Religion and the Nineteenth-Century Crisis of Culture

New York: Cambridge University Press (2002)

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  1. The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet.Daniel Watts - 2019 - Religions 10 (1).
    I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance. I propose that the notoriously divisive ending of Ordet reflects an aim to provide the film's viewers with an experience of this very sort. l draw throughout on some central ideas (...)
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  • Kierkegaard's Social Theory.J. Michael Tilley - 2014 - Heythrop Journal 55 (5):944-959.
    Despite recent attention on the social implications of his work, little has been done to articulate a substantive Kierkegaardian social theory. In this paper, I argue that Kierkegaard's A Literary Review describes four principles of social analysis. Together they reveal the social character of Kierkegaard's thought while presenting significant challenges for more traditional ‘social readings’ of his work.
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  • The Philosophy of Science in Either-Or.Hans Halvorson - forthcoming - In Ryan Kemp & Walter Wietzke (eds.), Cambridge Critical Guide to Either-Or. Cambridge University Press.
    Kierkegaard's Either-Or is a book about the choice between aesthetic, ethical, and religious approaches to life. I show that Either-Or also contains a proposal for philosophy of science, and in particular, about the ideal epistemic state for human beings. Whereas the Cartesian-Hegelian tradition conceived of the ideal state as one of detached deliberation -- i.e. "seeing the world as it is in itself" -- Kierkegaard envisions the ideal state as the achievement of equilibrium between the "spectator" and "actor" aspects of (...)
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