Caribbean women writers (such as Erna Brodber and Opal Palmer Adisa, who are discussed in this article) often include men in women's liberatory quests as participants: helpers, healers or caregivers. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory, which embraces and redefines from a feminist perspective the affective fallacy (over-interpreting a text based on one's feelings) so dreaded by the New Critics. This article interrogates (...) how to read through affects across multiple intersecting differences between the text and the reader (such as race, class, culture and gender). A self-reflective negotiation between an outsider reader and a text's healing communities reveals the limits of the reader's ability to participate. The affective fallacy in this context becomes a useful tool for reading, but here it seeks a very different goal from that for which it was previously used. The transcultural feminism of difference relies on affectivity and emotions as a political force and a method for meaning; however, knowing the boundaries of one's affects prevents one from intrusively taking on the other's suffering through sympathetic reading. Women's sexual healing processes in the novels discussed in this article are not self-evidently or solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations. Participation in these affective moments between the novels’ women and healing men is made possible by the reader's parallel process of embracing and curtailing her affective responses to the suffering of the other. (shrink)

Physical movement as a cohesive rhythmic mediumfor better understanding the qualities of livedexperience, keeps us intimately connected toour selves, others and our environment.Incorporating elements of evocativeautoethnography (Ellis, 1997), this workemploys the implicated reading (Pearce, 1997)of the authors' co-constructed body narrativeas a necessary analytical and representationaldevice for better understanding the embodiedand relational qualities of research. Pullingfrom Dewey's theories of naturalism,qualitative thought, and aesthetics,researchers relive and re-present theirmovement (running) experience as practice forembodied approaches to more authentic research.In the process, researchers discover thatrunning (...) as a shared rhythmical threadilluminated intersections in their lives andtheir research, nurtured universal qualities ofembodied experience often unexplored inresearch, and served as kinesthetic practicefor more fully understanding the contextualqualities of experience that informunderstanding. (shrink)

This article proposes a situated reading of maternal love, loss and lovelessness in Donna Hemans’ novel River Woman, locating her text in relation to other contemporary Caribbean women writers and to the early fiction of Toni Morrison. I argue that the complex affects that her representation of ‘child-shifting’ produces, can be articulated both in relation to literary texts that re-imagine historical and contemporary practices leaving a child in order to save her, and in the context of the plantation, where ruptured (...) ties at the level of community and culture continue to be reproduced in the personal, emotional and family spheres. I use the concept of marronage, developed in the work of Glissant and Depestre, to define strategies of survival that necessitated actual and imaginative flight or escape, to contextualise the complex affects of the plantation that are repeated and reproduced in the novel's present—the late twentieth-century Caribbean. (shrink)