I introduce and compare Russian and Japanese notions of community and space. Some characteristic strains of thought that exist in both countries had similar points of departure, overcame similar problems and arrived at similar results. In general, in Japan and Russia, the nostalgia for the community has been strong because one felt that in society through modernization something of the particularity of one's culture had been lost. As a consequence, both in Japan and in Russia allusions to the German sociologist (...) Ferdinand Tönnies' book Gemeinschaft und Gesellschaft are frequent. In the end I associate the Japanese as well as the Russian ideas with neo-Darwinian versions of the theme of evolution as it has been developed by Henri Bergson, Gilles Deleuze, and Felix Guattari. (shrink)

Spinoza est pour Deleuze le «Christ» et le «Prince» des philosophes, le philosophe «absolu», et son Éthique, «l’un des plus grands livres du monde»C’est sur Spinoza que Deleuze aura le plus écrit en lui consacrant deux livres: Spinoza et le problème de l’expression et Spinoza. Philosophie pratiqueSpinoza, le seul philosophe que Deleuze déclarait connaître «dans son cœur», est aussi celui dont la conceptualité fut la mieux approfondie par lui. «C’est sur Spinoza, écrit Deleuze, que j’ai le plus sérieusement travaillé d’après (...) les normes de l’histoire de la philosophie»Mais Deleuze ne s’en tient pas au seul cadre académique d’analyse. Il sait également produire une interprétation éminemment originale de la pensée de Spinoza. (shrink)

This article argues for a new interpretation of the relation between Deleuze’s engagements with Nietzsche and Plato in the first chapter of Différence et répétition (1968). It (a) argues scholarship has overlooked important features of this relation, (b) reconstructs the text’s motivating problem of the reduction of difference to identity, (c) rethinks Deleuze’s use of “faire la différence” to show its methodological significance relative to Nietzsche and Plato, (d) proposes an account of the basic movement of differential being or becoming (...) figured as the Nietzschean “test” of the eternal return, (e) examines Deleuze’s derivation of the concept of simulacrum from Platonism for his revisionist theory of beings, and (f) proposes a solution to a problem unresolved in existing interpretations of the text: namely, how the text’s theory of beings as simulacra and its theory of being or becoming as the differential movement of the eternal return can have systematic unity. (shrink)

Through the philosophies of Bergson and Deleuze, my paper explores a different theory of time. I reconstitute Deleuze’s paradoxes of the past in Difference and Repetition and Bergsonism to reveal a theory of time in which the relation between past and present is one of coexistence rather than succession. The theory of memory implied here is a non-representational one. To elaborate this theory, I ask: what is the role of the “virtual image” in Bergson’s Matter and Memory? Far from representing (...) the simple afterimage of a present perception, the “virtual image” carries multiple senses. Contracting the immediate past for the present, or expanding virtually to hold the whole of memory (and even the whole of the universe), the virtual image can form a bridge between the present and the non-representational past. This non-representational account of memory sheds light not only on the structure of time for Bergson, but also on his concepts of pure memory and virtuality. The rereading of memory also opens the way for Bergsonian intuition to play an intersubjective role; intuition becomes a means for navigating the resonances and dissonances that can be felt between different rhythms of becoming or planes of memory, which constitute different subjects. (shrink)

By melodic landscape, this paper points to natural milieus such as mountains whose motifs are caught up in contrapuntal relations. With Merleau-Ponty, the structure of the world is a symphony, and the production of life which implicates both organism and environment as unfurling of Umwelt is ‘a melody that sings itself’. For the Chinese culture, mountains have been deemed virtuous in Confucianism, immortal by Daoists, and spiritual for a Buddhist to reach a substrate level of pure stream of a-subjective consciousness. (...) A Chinese painter-poet within the ‘mountain-water’ genre would consider mountains as performance of events, a concert of vibration of light, shape and sound, movement and rest. Insofar as art is to create energy transfer, Chinese artists of mountains aim at concerting with nature as organised by rhythms and conspecifics, unfolding contrapuntal melodies with all kinds of counterpoints. As Deleuze and Guattari's notion of refrains are the three forces or tempos of chaos, earth and world confronting/converging one another, this paper endeavours to find out, first, how Deleuze and Guattari's geological, organic and alloplastic stratifications can be put alongside mountains, animals, plants and arts, and second, how this notion can contribute to our new appreciation of the way Chinese mountains in arts can give out music. (shrink)

ABSTRACT This article examines Bergson’s critique of intensive magnitude in Time and Free Will. I demonstrate how his rejection of a different kind of quantity that is ordinal and does not allow measurement, and the underlying strict dualism of quantity and quality, is inconsistent with both the letter and the spirit of his later philosophy. I dismantle two main strategies for explaining these inconsistencies. Furthermore, I argue that Bergson’s simplistic conception of quantity in terms of homogeneous multiplicity, which is operative (...) in his rejection of an alternative conception of quantity, lacks justification in the face of the transformations that the concept of quantity underwent in the history of mathematics and physics. (shrink)

Straipsnyje analizuojamos biopolitikos sampratos, suformuluotos Michelio Foucault ir Gior­gio Agambeno darbuose. Foucault biopolitiką apibrėžia kaip galios ir gyvybės santykį, kuris istoriškai kinta: suvereno turimą galią pakeičia disciplininė galia, o pastarąją – biopolitika. Biopolitikos atsiradimą Foucault tiesiogiai sieja su kapitalizmo raida ir ekonominiais procesais, todėl politinę teoriją jis siūlo keisti politine ekonomija. Agambenas, priešingai, biopolitiką suvokia kaip kvaziontologinę sąlygą: jo manymu, biopolitinių kūnų produkavimas ir tą produkavimą pagrindžianti išimties būklė apibrėžia tiek senąsias imperijas, tiek šiuolaikines demokratijas. Toks išimtinai negatyvus biopolitikos suvokimas (...) verčia klausti, kaip įmanoma pasipriešinti galiai ir kokios galimos tokio pasipriešinimo formos. Tiek Foucault, tiek Gilles’is Deleuze’as teigia, kad galiai priešinasi būtent tai, ką ji siekia pajungti, – pati gyvybė. Tačiau svarbu suvokti, jog biopolitinė galia ir gyvybinė galia yra visiškai kitokios prigimties, todėl yra nebendramatės. Taigi gyvy­bės galia turi būti apibrėžiama remiantis naujomis sąvokomis, kurios perimamos iš Deleuze’o filosofijos. Straipsnyje siekiama suformuluoti gyvybės filosofijos, arba biofilosofijos, pagrindines charakteristikas bei atskleisti, kaip įmanomas pasipriešinimas galiai. (shrink)

The aim of this paper is to explore why Deleuze takes up Hamlet's claim that ‘time is out of joint’. In the first part of this paper, I explore this claim by looking at how Deleuze relates it to Plato's Timaeus and its conception of the relationship between movement and time. Once we have seen how time functions when it is ‘in joint’, I explore what it would mean for time to no longer be understood in terms of an underlying (...) rational structure. The claim can be understood as about a relationship between time and action. In the second part of this paper, I want to relate this new understanding of time to Hamlet itself, in order to see how temporality operates within the play. I will conclude by relating these two different conceptions of time out of joint to one another through Nietzsche's eternal return. (shrink)

The aim of this paper is to provide a close reading of Deleuze's complex account of Freud's Beyond the Pleasure Principle in Difference and Repetition. The first part provides a reading of Beyond the Pleasure Principle itself, showing why Freud feels the need to develop a transcendental account of repetition. In the second, I show the limitations of Freud's account, drawing on the work of Weismann to argue that Freud's transcendental model mischaracterises repetition. In the third part, I show how (...) Freud's account of the death drive is shadowed by Deleuze's own non-representational transcendental account. (shrink)

Based on materials collected during a fieldwork in Barnaul (Siberia, Russia) in 2001–2004, the article explores two provincial academic discourses that are focused on issues of Russian national identity. Ethnohistories of trauma address Russia’s current problems through the constant re-writing of the country’s past in order to demonstrate the non-Russian character of its national and state institutions. In the second discourse, ethno-vitalism, the struggle over constructing and interpreting the nation’s memory of the past is replaced with a similar struggle over (...) constructing and interpreting perceptions of the nation’s current experience. Produced by professional intelligentsia, these frameworks and discourses provide a useful link to understanding imaginary constructions of the national belonging in a situation where more positive ways of inventing traditions and imagining communities are unavailable or discredited. (shrink)

There is an aesthetic undercurrent traversing Deleuze's philosophy along confluent trajectories of Baruch Spinoza and Friedrich Nietzsche, which harbours untapped potentials and far-reaching consequences for contemporary discussions of art and architecture. According to this subterranean stream, aesthetic experience is generated, neither in ready-made mental faculties of a subject, nor in essential qualities of an object, but through affective interactions of a relational field. A cartographic inquiry of affective aesthetics constitutes the subject matter of this paper, beginning with a philosophical elaboration (...) that connects aesthetic theories of Spinoza, Nietzsche and Deleuze, evolving via a comparative analysis of aesthetic processes specific to Francis Bacon's artistic assemblages and Vogelkop bowerbirds' architectural constructs, and concluding with the possibility of a non-anthropocentric aesthetics. (shrink)

Not man as the king of creation, but rather as the being who is in intimate contact with the profound life of all forms or all types of beings, who is responsible for even the stars and animal life, and who ceaselessly plugs an organ-machine into an energy-machine, a tree into his body, a breast into his mouth, the sun into his asshole: the eternal custodian of the machines of the universe. Deleuze and Guattari, Anti-Oedipus 4.

Deleuze calls Spinoza the “Prince” of philosophers. He devotes two books to him, Spinoza et le probleme de l'expression and Spinoza. Philosophie pratique But Deleuze's entire body of work also gives him an opportunity to work on Spinoza's conceptuality. Deleuze does not arrive at Spinoza by making a leap from the principle of reason to reconquer an original and forgotten past. The immanence of Spinoza is more like an arrow found inadvertently and shot again into the immensity of the universe. (...) We propose to define this timelessness by highlighting the main points of convergence between Deleuze's thought and that of Spinoza. These convergences will be examined using excerpts selected from the five parts of the Ethics in which the following themes will be broached: the principle of reason, panpsychism, experimentation of the body, notion of power, and liberty. We will see how Deleuze gives a new and yet strangely faithful spin to Spinozist thought on which he establishes his notions of pluricosmism, non-human becomings, ethology, deterritorialization, and escape lines. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

The aim of this article is to sketch the procedural nature of the modus in which Deleuze reads the other philosophers. The hermeneutical problem indicated by the indecision to consider his books on different authors as an authorized interpretation or as fantasist utilization may be scattered if we understand his hermeneutical attempts both as interpretation and construction. In addition, this indecision affects the guild of Deleuzian exegetes in respect to the directory idea which could point out the general strategy of (...) his philosophy. (shrink)

For years, philosophers have thought about what makes a life worth living. Recent research in psychology has put new light on that. This paper places itself in-between philosophy and psychology, and the thoughts about well-being. The title of this paper raises one question: Who lives a life worth living? Based on the philosophy of Gilles Deleuze and subsidiary, recent studies in ‘positive psychology’, this work shows that the prerequisite for a life worth living is freedom; that is being free to (...) enhance one’s capabilities. This form of freedom manifests itself as being strongly related to the logic of sense that is related to capacity. This relationship illustrate that a life can only be evaluated from its immanent mode of existence, and not by some transcendent ideas. Finally, this study discusses some of the differences between a philosophical approach and approaches like positive psychology. In conclusion, it is suggested that future debate about well-being should be less normative. (shrink)

ENGLISH ABSTRACT: This thesis is a philosophical exposition of violence informed by two theoretical positions which confront complexity as a phenomenon. These positions are complexity theory and deconstruction. Both develop systemsbased understandings of complex phenomena in which relations of difference are constitutive of the meaning of those phenomena. There has been no focused investigation of the implications of complexity for the conceptualisation of violence thus far. In response to this theoretical gap, this thesis begins by distinguishing complexity theory as a (...) general, trans-disciplinary field of study from critical complexity theory. The latter is used to develop a critique and criticism of epistemological foundationalism, emphasising the limits to knowledge and the normative and ethical dimension of knowledge and understanding. The epistemological break implied by this critique reiterates the epistemological shift permeating the work of, among others, Friedrich Nietzsche and Jacques Derrida. In this context, critical complexity theory begins to articulate the idea of violence on two levels: first, as an empirical, ethical problem in the system; and, secondly, as asymmetry and antagonism. Violence in this second sense is implicated in the dynamic relations of difference through which structure and meaning are generated in complex organisation. The sensitivity to difference and violence shared by critical complexity theory and deconstruction allows for the parallel reading of these philosophical perspectives; and for the supplementation and opening of critical complexity theory by deconstruction within the architecture of this thesis. This supplementation seeks to preserve the singularity of each perspective, while exploring the potential of their points of affinity and tension in the production of a coherent philosophical analysis of violence. Deconstruction offers a more developed understanding of violence and a wealth of related motifs: différance, framing, law, singularity, aesthetics and others. These motifs necessitate the inclusion of other philosophical voices, notably, that of Nietzsche, Arendt, Kant, Levinas, and Benjamin. In conversation with these authors, this thesis links violence to meaning, to its possibility, to its production and to the process by which meaning comes to change. Given these links, violence is conceptualised in relation to the notion of difference on three distinct levels. The first is the difference between elements in a complex system of meaning; the second is the notion of difference between systems or texts around which boundaries or frames can be drawn; and the third is the notion of difference between meaning and the absence of meaning. This discussion examines the relationship between this violence implicated in the constitution of meaning and the more colloquial understanding of violence as atrocity, as rape, murder and other socially, politically and ethically problematic expressions thereof. It is to empirical violence, following Derrida and Levinas, that we are called to respond and to intervene in the suffering of the other. The ethical and political necessity of response anchors this discussion of violence. And, it is towards the possibility of an adequate response – the possibility of an ethics sensitive to its own violence and a politics that is directed at the eradication of empirical violence – which this discussion navigates. (shrink)

The relationship of Jacques Derrida and Martin Heidegger has always been complex, encompassing an entanglement of two already immense networks and suspended between proximities and distances from infinitesimal to radical. Its peculiarity is evident in the way in which Derrida strategically inscribes his own text at the margin of Heidegger's thought via a double or cl6tural gesture which articulates the paradox that Derrida writes with Heidegger against Heidegger. One of the most decisive aspects of this gesture is Derrida's deconstruction of (...) Heidegger's claims regarding the relation between technology and philosophy. In "The Question Concerning Technology" and accompanying essays Heidegger opens up a way of reflecting upon the essence of technology moves against its metaphysical determination specifying, moreover, the sense of modern technology as a mode of disclosure. These reflections are, however, ambiguous. Heidegger is one of the first thinkers to confront technology in philosophical terms, and yet he wishes to purify thinking of originary technicity. Technology remains a question, and as a question asked by thinking, thinking is not technical. In other words, thinking for Heidegger, is constituted in its very difference from technology. This is the move that must be deconstructed. In simultaneously repeating and displacing the Heideggerian scheme, Derrida elaborates an infinitesimal and decisive différance between the thinking of Being and his own notion of "writing" (Vecriture) or generalized inscription. What is crucial is that as against Heidegger's Being, the general text is not an essence of technics nor is it a proper thinking opposed to technology. On the contrary, Derrida's main point, among other things, against Heidegger, is that technology has always already begun, that it is originary with respect to the history of Being and thinking. In this study I examine the stakes and implications of Derrida's move along with a possible Heideggerian response. To begin with, I develop a reading of Heidegger's text that shows the import of technology to his work as a whole and its centrality to the thinking of Being as difference. I then take up the question of Derrida's deconstruction of Heidegger's analysis of the history of Being and its technological completion as this is played out in The Post Card and related texts. Following this I revert back to Derrida's now "classic" writings of the late 1960s and early 1970s and explore the arguments that relate contemporary developments in technology, science, and the media to the problematic of writing and to the closure of logocentric metaphysics. The preceding chapters lay the groundwork for me to then offer a critical reading of Derrida's text that locates in the articulations and assumptions of deconstruction certain indications of its belonging, within the horizon of Heidegger's thinking of technology. Finally, I offer a reading of some of Derrida's later texts with the aim of showing that and how deconstruction emerges as an affirmative technology. (shrink)

Algorithmic governmentality is a new form of political governance interconnected with technology and computation. By coining the term “algorithmic governmentality,” Antoinette Rouvroy argues that this mode of governance reduces everything to data, and people are no longer individuals but dividuals (able to be divided) or readable data profiles. Implementing the concept of algorithmic governmentality, the current study analyses Project Itoh’s award-winning novel Harmony in terms of such relevant concepts as “subjectivity,” “infra-individuality” and “control,” as suggested by Rouvroy and colleagues. The (...) analysis further draws on Foucault’s ideas of “governmentality” and “neoliberalism” and Deleuze’s concepts of “dividuality” and “society of control.” In Itoh’s fictional world, the entire society is subject to the new medical government, which replaced the chaotic world with a perfect but harrowing benevolent society, eradicating disease, suicide and crime. As elucidated in this paper, despite the dominant controlling government, there is a hope for humans to regain and reestablish their subjectivity and give meaning to their own personality by defying the nihilistic computational system. (shrink)

OVERVIEW. The concept of emergence – which I define as the (diachronic) construction of functional structures in complex systems that achieve a (synchronic) focus of systematic behaviour as they constrain the behaviour of individual components – plays a crucial role in debates in philosophical reflection on science as a whole (the question of reductionism) as well as in the fields of biology (the status of the organism), social science (the practical subject), and cognitive science (the cognitive subject).1 In this essay (...) I examine how the philosophy of Deleuze and that of Deleuze and Guattari2 can help us see some of the most important implications of the debate on the status of the organism, as well as prepare the ground for a discussion of the practical and cognitive subject. (shrink)