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Making sense: cognition, computing, art, and embodiment

Cambridge, Massachusetts: The MIT Press (2017)

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  1. Foundations of ArtScience: Formulating the Problem.Francis Heylighen & Katarina Petrović - 2020 - Foundations of Science 26 (2):225-244.
    While art and science still functioned side-by-side during the Renaissance, their methods and perspectives diverged during the nineteenth century, creating a still enduring separation between the "two cultures". Recently, artists and scientists again collaborate more frequently, as promoted most radically by the ArtScience movement. This approach aims at a true synthesis between the intuitive, imaginative methods of art and the rational, rule-governed methods of science. To prepare the grounds for a theoretical synthesis, this paper surveys the fundamental commonalities and differences (...)
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  • Early body ornamentation as Ego-culture: Tracing the co-evolution of aesthetic ideals and cultural identity.Antonis Iliopoulos - 2020 - Semiotica 2020 (232):187-233.
    While the “symbolic” meaning of early body ornamentation has received the lion’s share of attention in the debate on human origins, this paper sets out to explore their aesthetic and agentive dimensions, for the purpose of explaining how various ornamental forms would have led interacting groups to form a cultural identity of their own. To this end, semiotics is integrated with a new paradigm in the archaeology of mind, known as the theory of material engagement. Bridging specifically Peirce’s pragmatic theory (...)
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