The relationship between American pragmatism and American critical realism needs to be reconsidered. The two currents shared many aspects, but there were also significant differences. One of these differences pertains to the object of perception or, more precisely, to the question of what we talk about when we talk about this, for example, being blue. By re-addressing that question, some light can be shed on the historical development of analytic philosophy in the United States during the first half of the (...) twentieth century. My case in point is the respective positions of C. I. Lewis and R. W. Sellars. I shall point out that Sellars’s view has more to recommend it because it provides a more compelling framework for a comprehensive explanation of perception. (shrink)

In the philosophy of perception, direct realism has come into vogue. Philosophical authors assert and assume that what their readers want, and what anyone should want, is some form of direct realism. There are disagreements over precisely what form this direct realism should take. The majority of positions in favor now offer a direct realism in which objects and their material or physical properties constitute the contents of perception, either because we have an immediate or intuitive acquaintance with those objects (...) and properties, or because our perceptual states have informational content that represents the properties of those objects (and which is not itself an object of perception and has no specifically subjective aspect). This paper considers various forms of perceptual realism, including, for purposes of comparison, the largely abandoned indirect or representative realism. After surveying the variety of perceptual realisms and considering their various commitments, I introduce some considerations concerning the phenomenology of visual space that cause trouble for most forms of direct realism. These considerations pertain to the perception of objects in the distance and, secondarily, to the perception of shapes at a slant. I argue that one of the lesser known varieties of perceptual realism, critical direct realism, can meet the challenges offered by the facts of spatial perception. (shrink)

This paper explores the philosophical approach of the Swedish-born thinker John Elof Boodin. It will be shown that Boodin’s philosophical development ran through various stages, beginning with more or less “orthodox” pragmatism and ending with what he labeled “functional” realism. My principal thesis is that, in the last analysis, Boodin failed in establishing a stable systematic point of view. However, his philosophical development is worth considering in some detail because it nicely reflects the situation of a European-born philosopher in early-twentieth (...) century America. (shrink)

We examine a number of investigations of perceptual economy or, more specifically, of minimum tendencies and minimum principles in the visual perception of form, depth, and motion. A minimum tendency is a psychophysical finding that perception tends toward simplicity, as measured in accordance with a specified metric. A minimum principle is a theoretical construct imputed to the visual system to explain minimum tendencies. After examining a number of studies of perceptual economy, we embark on a systematic analysis of this notion. (...) We examine the notion that simple perceptual representations must be defined within the "geometric constraints" provided by proximal stimulation. We then take up metrics of simplicity. Any study of perceptual economy must use a metric of simplicity; the choice of metric may be seen as a matter of convention, or it may have deep theoretical and empirical implications. We evaluate several answers to the question of why the visual system might favor economical representations. Finally, we examine several accounts of the process for achieving perceptual economy, concluding that those which favor massively parallel processing are the most plausible. (shrink)

In America most of us are so proud of our own achievements and—as a corollary of this—so provincial and narrow-minded in our general worldoutlook, that it has probably never occurred to us that until very recently we have cut absolutely no figure in the world's philosophy. In fact, it may still be said that even in 1930 the influence of American philosophy upon the philosophical world is almost a negligible factor. But even such nearly negligible influence is vastly more than (...) American philosophers could boast of thirty or forty years ago. The fact is that even as late as at the outbreak of the world-war most of Europe hardly knew that there was any such thing as American philosophy. And up to a very few years prior to the beginning of this devastating conflict such judgment concerning the non-existence of American philosophy was probably quite in agreement with the facts of the case. For an understanding of America's present cultural position it is essential, therefore, that one should know something of the recent advances in American philosophy. In fact, such philosophical progress in contemporary America constitutes one of the most remarkable and distinct proofs of America's ability to make significant and appreciated contributions to the highest intellectual and cultural life of the world. It would be foolish were one—even yet—to claim that America has arrived, philosophically. But the signs which indicate that American philosophy is definitely on its way are numerous, and are constantly multiplying. If American philosophers cannot yet say: “Plato, Hume, and Kant, we are here!”. (shrink)

Although not known as a philosopher of history, George Herbert Mead wrote and taught seriously about the nature of the past and about historical investigation throughout his career. The paper identifies the major documentary sources and interpretive literature with which to reconstruct Mead’s radically social and dynamic conceptualization of history and extends beyond the existing literature to develop striking implications of Mead’s approach in response to possible criticisms and challenges. By connecting Mead’s writings on history with his broader social theory (...) of action, democracy, and consciousness, the paper shows how Mead provides a novel grounding of our understandings of history in ongoing social processes and suggests that better historical knowledge may be related to participatory, inclusive social practices. As a result, historians have a responsibility to social reconstruction and society’s self-reflection, in Mead’s view. Because of the novel ways in which Mead’s approach explores the relationship between history and social progress he warrants renewed attention and scrutiny from researchers and theorists of history. (shrink)