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  1. The Production of Acceptable Muslim Women in the United States.Falguni A. Sheth - 2019 - Journal of Aesthetics and Art Criticism 77 (4):411-422.
    This essay explores some of the elements by which Muslim women who wear the hijab in the United States are managed so as to produce and distinguish "unruly" from "good" Muslim female citizens within the context of American liberation. Unlike the French state, which has regulated both the hijab and niqab through national legislation, the American liberal framework utilizes a laissez-faire approach, which relies on a range of public and private institutions to determine acceptable public presentations of the liberal female (...)
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  • Simone de Beauvoir, Analogy, Intersectionality, and Expanding Philosophy: An Interview with Kathryn Sophia Belle.Edward O'Byrn - forthcoming - Hypatia:1-12.
    In this interview with Kathryn Sophia Belle (formerly Kathryn T. Gines), Edward O'Byrn discusses Belle's publications from 2010–2017. His questions focus on Simone de Beauvoir and her use of analogy in The Second Sex, along with broader questions that engage Belle's work on existential philosophy, Beauvoir, Black feminism, and intersectionality.
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  • Subverting the racist lens: Frederick Douglass, humanity and the power of the photographic Image.Bill Lawson & Maria Brincker - 2017 - In Bill Lawson & Celeste-Marie Bernier (eds.), Pictures and Power: Imaging and Imagining Frederick Douglass 1818-2018. by Liverpool University Press.
    Frederick Douglass, the abolitionist, the civil rights advocate and the great rhetorician, has been the focus of much academic research. Only more recently is Douglass work on aesthetics beginning to receive its due, and even then its philosophical scope is rarely appreciated. Douglass’ aesthetic interest was notably not so much in art itself, but in understanding aesthetic presentation as an epistemological and psychological aspect of the human condition and thereby as a social and political tool. He was fascinated by the (...)
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