Being mainly concerned with the origins and development of formal logic, current “histories of logic” often devote scarce, if any, space to logic in the early modern period. In standard narratives, emphasis is put, on one side, on Aristotle’s Organon and on the Stoics’ logic of propositions, and on the other side, on the development of mathematical logic from Boole and Frege on. The picture often emerging from such reconstructions represents early modern philosophers—net of their criticisms of Aristotelian syllogism— as (...) largely estranged from the discipline. It is true that, the medieval period’s concern with semantic and inference issues has been accounted... (shrink)

The aim of this paper is to assess the central role the imagination acquires in Pierre Gassendi’s logic. I trace the structuring scheme of the three acts of the mind—common to a good number of late scholastic and early modern logics—to the Thomistic notion of the movement of reasoning in knowledge and argue that Gassendi revisits this notion in his logic. The three acts scheme is from the beginning a bridge between logic and the natural philosophical treatment of the soul. (...) I show how Gassendi’s take on the three acts is similarly poised between his Logic and his Physics and I discuss the rationale, sources and consequences of his attribution of the three acts to the imagination. I argue for the following points: Gassendi’s conception of the logical role of the imagination answers to his empiricist epistemology, his naturalized view of the mind and his notion of a natural logic; it is also operative in his pairing of the formal mechanism of logical operations with a progressive mechanism of the operations of the mind; and it serves as a counterpart to his experimental understanding of the progress of knowledge.1. (shrink)