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Platonism and Christian Thought in Late Antiquity examines the various ways in which Christian intellectuals engaged with Platonism both as a pagan competitor and as a source of philosophical material useful to the Christian faith. The chapters are united in their goal to explore transformations that took place in the reception and interaction process between Platonism and Christianity in this period. -/- The contributions in this volume explore the reception of Platonic material in Christian thought, showing that the transmission of (...) |
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Soul springs from Intellect, Intellect springs from the One. But quite how does the sensible world arise? A pair of almost successive treatises points to the answer. A lower manifestation of soul `makes' or `gives birth to' what is variously described as `non-being', `utterly indefinite' and `utterly dark', before covering what she has made with form, specifically the form of `body', and before `entering rejoicing' into the object that, by its reception of form, has been made ready to receive her (...) |
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At the core of Plotinus’ exploration of human selfhood, lies a reference to the myth of Dionysus-Zagreus and his mirror, one of the toys the Titans used to seduce the young Dionysus. In interpreting the myth within this context, the mirror has been invariably regarded by scholars as a symbol for matter, an external surface on which the soul is projected and becomes embodied as a human individual by dispersing in the material depths. This paper challenges this established view and (...) |
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The aim of this paper is to focus on the reception of Plotinus’ concept of matter in the Renaissance philosopher Giordano Bruno and his early Italian dialogue De la causa, principio et uno. I argue that Bruno’s concept of materia in De la causa, principio et uno reflects Plotinus’ theory of intelligible matter in Ennead ii 4 [12] 2–5 as well as Plotinus’ positive view of the perceptible world in Enneads ii 9 [33] and iv 8 [6]. It is suggested (...) |
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Abstract Plotinus did not set out to be obscure. Difficulties of interpretation arise partly from his style of writing, compressed, elliptical, allusive. The allusions, easily enough recognisable by those he was writing for, are often not recognised at all by the modern reader who no longer has at his fingertips the texts of Plato and Aristotle that Plotinus undoubtedly alludes to, but whose authors he has no need to name. So it is pre-eminently with his subtle use of earlier ideas (...) |
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