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  1. The Recording Cure: A Media Genealogy of Recorded Voice in Psychotherapy.Hadar Levy-Landesberg & Amit Pinchevski - 2023 - Theory, Culture and Society 40 (6):125-146.
    This article explores the relationship between psychotherapy and sound reproduction technologies from the early 20th century to the present. Subscribing to a media genealogy approach, it traces the changing status of the recorded voice in therapy as set against broader transformations in the field of mental health. Delving into the recorded voice’s diverse applications across psychotherapeutic approaches, it demonstrates how technology worked to unravel the temporal and spatial formations of the therapeutic setting, thereby unsettling established hierarchies, terminologies, and techniques while (...)
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  • Predatory War, Drones and Torture: Remapping the Body in Pain.Kevin McSorley - 2019 - Body and Society 25 (3):73-99.
    Elaine Scarry argues in The Body in Pain that war is a vast and reciprocal swearing on the body, with corporeality key not only to its brutal prosecution but also to the eventual ending of the political ‘crisis of substantiation’ that war entails. However, her work has not been extensively explored with reference to significant transformations in the embodied experiences of contemporary warfare. This article thus analyses a particular articulation of late modern warfare that I term predatory war, whose current (...)
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  • Knowing the past affectively: Screen media and the evocation of intergenerational trauma.Ana Dragojlović - 2018 - Arts and Humanities in Higher Education 17 (1):119-133.
    This article explores the relationship between the affective intensities of screen media and its potential to serve as an affective force for the transmission of intergenerational trauma. I explore how watching a documentary portraying historical atrocities that preceded the birth of the documentary’s viewers yet affected their lives in profound ways, is one of the manifold engagements in genealogy and memory work that seeks to know the past affectively. My focus is on Indisch viewers whose relatives suffered through various atrocities (...)
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