Summary Franz Brentano, 1838–1917, introduced the intriguing concept of “plerosis” in order to account for aspects of the continuum that were “explained” by formal mathematics in ways that he considered absurd from the perspective of intuition, especially visual awareness and imagery. In doing this, he pointed in directions later developed by the Dutch mathematician Luitzen Brouwer. Brentano’s notion of plerosis involves distinct though coincident points, which one might call “atomic entities with parts”. This notion fits the modern concepts of “receptive (...) field” in neurophysiology, “perceptive field” in psychology and “differential operator” in the formal theory of scale space. We identify Brentano’s boundary points as the primordial atomic Gestalts of visual imagery. The concept deserves to play a key role in Gestalt theory. (shrink)

Dynamic surface completion is a phenomenon of visual filling-in where a colored pattern perceptually spreads onto an area confined by virtual contours in a multi-aperture motion display. The spreading effect is qualitatively similar to static texture spreading but widely surpasses it in strength, making it particularly suited for quantitative studies of visual interpolation processes. I carried out six experiments to establish with objective tasks that homogeneous color, as well as non-uniform texture spreading is a genuine representation of surface qualities and (...) thus goes beyond mere contour interpolation. The experiments also serve to relate the phenomena to ongoing discussions about potentially responsible mechanisms for spatiotemporal integration: With a phenomenological method, I examined to what extent simple sensory persistence might be causally involved in the effect under consideration. The findings are partially consistent with the idea of sensory persistence, and indicate that information fragments are integrated over a time window of about 100 to 150 ms to form a complete surface representation. (shrink)