Two essential Kantian insights are the significance for rationality of the capacity for criticism and the limits of cognition, discovered when criticism is pursued methodically, that are due to the perspectival character of the human standpoint. After a period of disparagement, these Kantian insights have been sympathetically construed and are now discussed within contemporary analytic philosophy. However, if Kant’s assumption of a single, immutable, human framework is jettisoned, then the rationality of historical succession is called into question. Moreover, if the (...) revolutionary character of framework transitions is acknowledged, then reason is historicized and even its character as reason is threatened. I argue that Menachem Fisch’s approach to criticism and rationality offers an escape from this post-Kantian predicament that acknowledges revolutionary framework transitions and that draws upon the dialogical traditions of Jewish thought, and I also argue that Fisch’s approach should be seen as thematizing, to use the terms of Kant’s aesthetics and of Fichte’s account of natural right, the reflecting rather than determining status of critical judgement, which involves second-personal address. (shrink)

This article explores the psychoanalytic points of commonality between stand‐up comedy shows and fascist rallies, arguing that both are concerned with the creation of a “mass” audience. The article explores the political significance of this analogy by arguing that while stand‐up shows are not as regressive as fascist rallies, their “mass” character does run counter to any political aspirations they may have toward the end of critical consciousness raising.

Quentin Meillassoux has recently leveled a controversial attack on critical philosophy and the transcendental turn through his concept of correlationism. This critique is motivated by the attempt to move away from a philosophy of human finitude towards a speculative materialism. In this paper I argue that Meillassoux’s understanding of correlationism does not adequately depict the critical turn, especially in regards to the distinction between the epistemological problem of realism and the problem of materialism. I attempt to show that by reading (...) the critical turn as anti-epistemological one can think of its turn away from things themselves towards relation and mediation in ways that are not necessarily against either science or materialism. (shrink)

This article presents Hannah Arendt's novel conception of evil, arguing that what animates and undergirds this conception is an understanding of human agency, of what it means to be a person at all. The banality of evil that Arendt theorizes is exactly the failure to become a person in the first place—it is, in short, the evil of being a nobody. For Arendt, this evil becomes extreme when a mass of such nobodies becomes organized by totalitarianism. This article focuses on (...) the connection between Arendt's understanding of personhood and her conception of evil, showing how Arendt falls into a Kantian tradition of prioritizing apperception— thinking—as central for human agency. In this way, the article shows that thinking—being a person—is central to Arendt's work, thereby prioritizing and making sense of her claim in _The Human Condition_ that one is never “more active” than when thinking. (shrink)

In this paper, I examine Foucault’s conception of agency by reconstructing two complementary approaches he takes: the ‘analytics of power’, which examines the relation between norms and practice by charting the institutional development within which a set of norms emerge, and the concept of ‘problematization’, which examines reason-giving practices, or varieties of normative justification that legitimize rational institutions and agents’ participation in them. Contrary to the standard caricature, Foucault’s analysis of the relation between norms and institutions does not merely reduce (...) the former to relations of ‘power’. In short, he also thinks standards of justification are just as revisable as social practices themselves, and the focus here will be on the relation and importance of these two complementary approaches to his critique of normativity. Key Words: agency • critique • Foucault • normativity • social practice. (shrink)

This essay considers two concepts of repetition in thinking about canon, the history of ideas, and the work of an opponent, both real and fantastical. I take up these motifs in a variety of figures and cases, but principally in Søren Kierkegaard’s reading of the biblical Abraham in Fear and Trembling, a text rich in interpretive challenges. How might readers in the humanities contend with interpretive rivals while investing in the power of diverse readings? The argument turns on the relationship (...) between the struggle for self‐consciousness, understood through Hegel and Freud as an appointment with otherness, and the work of interpretation, understood as the endeavor to understand others, including other texts, other minds, and one’s own mind. What is the aim of interpretation? How does interpretation fail? To which history of ideas is a reader responsible? (shrink)

Acclaimed as one of the great filmmakers of the 20th century, Ingmar Bergman is for many an arch-modernist, whose work is characterized by a high degree of self-conscious artistry and by dark, even nihilistic themes. Film critics increasingly identify him as a kind of philosopher of the human condition, especially of the dislocations and misery of the modern human condition. However, Bergman’s films are not embodiments of philosophical theories, nor do they include explicit discussions of theory. Instead, he attends to (...) the concrete lived experience of those who, on the one hand, suffer from doubt, dislocation, and self-hatred and, on the other, long for confession and communion. In the middle of his career, especially in his famous faith trilogy of the early 1960s, Bergman investigated the lived experience of the absence of God. It is commonly thought that after this period, the question of God disappeared. However, in his last two films, Faithless and Saraband, Bergman explores the lived experience of the absence of God. Indeed, he moves beyond a simple negation to explore the complex interplay of absence. He even illustrates the possibility of a kind of communion for which so many of his characters—early, middle and late—long. (shrink)

Jürgen Habermas’s political philosophy incorporates the view that legitimacy is immanent to law, even though it makes morality a central component of democratic legitimacy. Taking this as a startin...

Nothing surprised the promoters of the Enlightenment more, and left them standing more incredulously before the failure of what they thought were their ultimate exertions, than the survival of the contemptible old stories - the continuation of work on myth. (Blumenberg, 1985: 274)1.

This article accounts for how Kant’s understanding of enlightenment gives normative, communicative structure to public reason as a practice. Kantian public reason is argued to be collegial. As public reasoners promoting our enlightenment, we should seek optimal scrutiny from a generally unrestricted, intellectually and epistemically diverse audience. To receive this scrutiny, we should communicate in a way that facilitates this audience’s ability to scrutinise our views – situating others as our colleagues – which in turn facilitates their promotion of their (...) own enlightenment. As a practice in which we help others promote their enlightenment by helping them help us promote ours, Kantian public reason is argued to be cooperative. But intriguingly, Kant offers a sufficient justification for this cooperative communication on first-personal grounds. The article details some of Kant’s more concrete thoughts on how we should communicate as public reasoners, and concludes by appraising his parsimonious justification of collegial communication as a resource for addressing contemporary concerns about public discourse. (shrink)

My focus here is on what Hegel has to say about nature and natural kinds, in ‘Observing Reason’ from the Phenomenology, and also in similar material from the Logic and Encyclopedia. I intend to argue that this material suggests a surprising way of stepping beyond the fundamental debate. There can of course be no question of elaborating and defending here a complete interpretation of Hegel’s entire theoretical philosophy. I will have to restrict myself to arguing for the unlikely conclusion that (...) there is an approach that can combine and integrate the strongest points made by both sides in the most basic debate shaping recent Hegel interpretation. What needs explaining is how there could be any single coherent position that in any philosophical sense both cancels and preserves metaphysics. (shrink)

My dissertation examines how the feminine was invoked as a representational strategy to cope with the nihilism lying at the heart of Chinese modernity in the period from 1915 to 1936. As a revolution on both the individual level and the social level, Chinese modernity began with and continued in crisis. One imperative of Chinese modernity was to ceaselessly bring excitement and passion to the individual, urging and enticing the latter to join the nationalist project. However, this idealist endeavor demanded (...) more power than the individual could summon within a coherent and rational consciousness. The individual was forced to confront decentering or shattering experiences of revolution, which were impossible to represent. Therefore, the nihil lied at the heart of modern Chinese subjectivity. In the West, nihilism emerged as a psychological effect to the decline of belief; but in May Fourth China, nihilism emerged a response to the belief in a heightened spirit that is incommensurate with any practical goals. However, the very nihilistic experience had to be disguised or shielded to ensure the purity and sublimity of the revolution. The trope of woman was employed as a metonymy for the nihil, which gave birth to a “shadow subject” that was different from the ideal masculine and rational one. On the one hand, the projection of nihil onto woman further alienated and mystified the feminine; on the other hand, it empowered the feminine and incorporated woman into the mainstream of revolutionary discourse. Therefore, not only male writers used the representation of woman to overcome the traumatic nihilistic experience in their subjectivity, some female writers also integrated the nihil in their self-representation as a strategy to empower themselves. In my dissertation, I engage myself in a re-reading of selective modern Chinese literary works. Combining the theoretical strength of post-structuralism, existentialism, and feminism, my dissertation aims to deconstruct and reconstruct subjectivity, narrative, and revolutionary discourse in modern China. The discovery of the relation between woman and nihil provides a new perspective to reexamine the construction of modern subjectivity, as well as the gender relations in Chinese modernity. (shrink)

Resumo: Em 1835, Kierkegaard escrevia que “o que de fato falta para mim é encontrar uma verdade que seja uma verdade para mim, encontrar a ideia pela qual eu viverei e morrerei”. Ora, mais de 50 anos antes Rousseau escrevera que “[s]ua filosofia [a dos filósofos sistemáticos] é para os outros; ser-me-ia necessária uma para mim”. O curioso, porém, é que Kierkegaard desenvolveria sua produção independentemente da de Rousseau, com a qual ele viria a ter contato apenas por volta de (...) 1850, quando a maior parte de seus escritos já havia sido produzida e publicada. Assim, diante de tais coincidências, proponho uma confrontação entre alguns dos principais conceitos existenciais presentes nas obras desses pensadores, com o que pretendo não apenas iluminar os laços existentes entre suas obras, como também reavaliar o papel de proeminência de Rousseau em termos do desenvolvimento da chamada filosofia da existência. Palavras-chave: existência; indivíduo; subjetividade; consciência; sistema; filosofia da existência. (shrink)