Jürgen Habermas’s political philosophy incorporates the view that legitimacy is immanent to law, even though it makes morality a central component of democratic legitimacy. Taking this as a startin...

I examine why Carnap ended his "The Overcoming of Metaphysics" with admiration for Nietzsche, and contextualize his admiration for Nietzsche within their shared commitment to 'modernism.' I show that Carnap's modernism helps explain his enthusiasm for symbolic logic and his attitude towards metaphysics. However, I also argue that Nietzsche's critique of metaphysics may also apply to Carnap's own distinction between what is essential to language and how language appears.

The empirical turn in bioethics has been widely discussed by philosophical medical ethicists and social scientists. The focus of this discussion has been almost exclusively on methodological issues in research, on the admissibility of empirical evidence in rational argument, and on the possible superiority of empirical methods for permitting democratic lay involvement in decision-making. In this paper I consider how the collection of qualitative and quantitative social research evidence plays its part in the construction of social order, and how this (...) creates certain paradoxes for the normative ideal of a public bioethics. The analysis in this paper is based on Foucauldian ideas, and on recent work in the history of the human sciences. The paper closes with some open questions for theoretical work in the sociology and philosophy of bioethics. (shrink)

Even though the philosophy of common sense is not justifi able as such, the assump- tion upon which it rests, namely that there are things which we are not in position to doubt is correct. The reason why Thomas Reid was unable to bring this assumption out in a justifi able manner is that his views, both on knowledge and nature, are to be considered dogmatic. American pragmatists such as Charles Sanders Peirce and John Dewey on the other hand, may (...) be seen as offering us a ‘critical’ and post-Darwinian philosophy of common sense. (shrink)

In this paper, I examine Foucault’s conception of agency by reconstructing two complementary approaches he takes: the ‘analytics of power’, which examines the relation between norms and practice by charting the institutional development within which a set of norms emerge, and the concept of ‘problematization’, which examines reason-giving practices, or varieties of normative justification that legitimize rational institutions and agents’ participation in them. Contrary to the standard caricature, Foucault’s analysis of the relation between norms and institutions does not merely reduce (...) the former to relations of ‘power’. In short, he also thinks standards of justification are just as revisable as social practices themselves, and the focus here will be on the relation and importance of these two complementary approaches to his critique of normativity. Key Words: agency • critique • Foucault • normativity • social practice. (shrink)

Two essential Kantian insights are the significance for rationality of the capacity for criticism and the limits of cognition, discovered when criticism is pursued methodically, that are due to the perspectival character of the human standpoint. After a period of disparagement, these Kantian insights have been sympathetically construed and are now discussed within contemporary analytic philosophy. However, if Kant’s assumption of a single, immutable, human framework is jettisoned, then the rationality of historical succession is called into question. Moreover, if the (...) revolutionary character of framework transitions is acknowledged, then reason is historicized and even its character as reason is threatened. I argue that Menachem Fisch’s approach to criticism and rationality offers an escape from this post-Kantian predicament that acknowledges revolutionary framework transitions and that draws upon the dialogical traditions of Jewish thought, and I also argue that Fisch’s approach should be seen as thematizing, to use the terms of Kant’s aesthetics and of Fichte’s account of natural right, the reflecting rather than determining status of critical judgement, which involves second-personal address. (shrink)

In this appreciation of Robert Pippin’s work, I focus on locating his project by focusing on the way that the inner-outer distinction in action receives a distinctive shape in modernity. I profile Pippin’s view of this momentous change as a middle path between those who see it primarily in historical terms (Hannah Arendt and Reinhart Koselleck) and those who see it in primarily linguistic terms (Robert Brandom and John McDowell). Pippin’s middle way has two aspects. First, purposiveness, rather than any (...) specific goal, provides the speculative identity of inner and outer; this is the conceptual middle path. Second, Pippin thinks that the pattern of historical justification can be used in local arguments for specific institutions without having to defend either Hegel’s own justification for his proposed state much less his conceptualization of world history as a whole; this is the social or historical middle path. (shrink)

ABSTRACT This study bears upon the ‘Heidegger case,’ that is, the relation of Heidegger’s philosophizing to his political involvements as Rector of the University of Freiburg 1933-4, and his subsequent silences on the subject of the Holocaust. I use the phrase ‘bears upon’ for Heidegger’s political involvement will serve as the ‘horizon’ for the study, my concern being the genesis of Heidegger’s position. Grounded in a musical ‘intuition’ and attunement, I take up the Nietzschean cipher for understanding proposed by Heidegger (...) himself for the self-understanding of the German people: the Apollonian-Dionysian duality, which I apply to the ‘being’ of Heidegger’s own philosophizing. Through this approach I hope to make an original contribution to Heidegger scholarship by showing that Heidegger’s fundamental ontology is overdetermined, evolving out of both the phenomenological demand for a rigorous method in establishing fundamental structures of existence and - at the same time – out of an Apollonian attempt to ‘tame’ Dionysian existence, including Heidegger’s own. Inextricably interlinked will be the argument that Heidegger’s Auseinandersetzung, his ‘confrontation,’ with Nietzsche precedes the overt engagement of his ‘Nietzsche’ lectures of the 1930s, and, further, that this more pervasive concern with Nietzsche figures in the Apollonian-Dionysian strife within Heidegger’s thinking and within his ‘being.’ Heidegger’s silences in the face of the Dionysian - as well as the Auseinandersetzung with Nietzsche - will be seen to precede his ‘silence’ in the face of the actuality and history of the Third Reich. What I am proposing one might characterize as Heidegger’s Auseinandersetzung - through Nietzsche - with v Heidegger, in a disclosure of the ontic roots of Heidegger’s ontology, an exercise in his own hermeneutics of facticity. I will pursue the trace of the Apollonian-Dionysian duality: in the Western philosophical tradition which Heidegger confronts, using Husserl and Nietzsche as exemplars; in Heidegger interpretation; in the relation between his texts and his letters; and in the suppressions and intensifications within Being and Time. And I will propose that the fugue and the mutually generative duality of suppression and intensification within Heidegger’s academic thinking were conditions of the possibility of Heidegger’s ‘way’ towards political involvement. (shrink)

Nothing surprised the promoters of the Enlightenment more, and left them standing more incredulously before the failure of what they thought were their ultimate exertions, than the survival of the contemptible old stories - the continuation of work on myth. (Blumenberg, 1985: 274)1.

The present paper motivates one possible answer to Kant’s question, “What remains of the Enlightenment?” by reinterpreting the relation between Foucault and critical tradition from Kant to the Frankfurt School. The Enlightenment has left us with “normative superstition,” or a healthy form of skepticism about the justification of modern institutions and ideals. Along these lines, I adopt an interpretation of Foucault that diverges from the standard view. I argue that he shares with his detractors a common heritage of this “critical (...) attitude,” placing him squarely in line with Kant, Hegel, and critical theory generally. If it is possible to view this critical attitude as an expression of Enlightenment-oriented views, then there are reasons to believe that his so-called “postmodernism” is nothing more than hyper-modernism. The lines of this last argument have been made elsewhere, notably in Robert Pippin’s important work, but there is a need to situate Foucault in the unfolding narrative of modernity, rather than label him a hostile opponent to it. In my view, the “Foucault addiction” now so popular is consistent with the critical tradition and the aim of this paper is to develop this claim. (shrink)

Resumo: Em 1835, Kierkegaard escrevia que “o que de fato falta para mim é encontrar uma verdade que seja uma verdade para mim, encontrar a ideia pela qual eu viverei e morrerei”. Ora, mais de 50 anos antes Rousseau escrevera que “[s]ua filosofia [a dos filósofos sistemáticos] é para os outros; ser-me-ia necessária uma para mim”. O curioso, porém, é que Kierkegaard desenvolveria sua produção independentemente da de Rousseau, com a qual ele viria a ter contato apenas por volta de (...) 1850, quando a maior parte de seus escritos já havia sido produzida e publicada. Assim, diante de tais coincidências, proponho uma confrontação entre alguns dos principais conceitos existenciais presentes nas obras desses pensadores, com o que pretendo não apenas iluminar os laços existentes entre suas obras, como também reavaliar o papel de proeminência de Rousseau em termos do desenvolvimento da chamada filosofia da existência. Palavras-chave: existência; indivíduo; subjetividade; consciência; sistema; filosofia da existência. (shrink)

I focus on Nietzsche’s architectural metaphor of self-construction in arguing for the claim that postmodern readings of Nietzsche misunderstand his various attacks on dogmatic philosophy as paving the way for acceptance of a self characterized by fundamental disunity. Nietzsche’s attack on essentialist dogmatic metaphysics is a call to engage in a purposive self-creation under a unifying will, a will that possesses the strength to reinterpret history as a pathway to “the problem that we are”. Nietzsche agrees with the postmodernists that (...) unity is not a pre-given, however he would disavow their rejection of unity as a goal. Where the postmodernists celebrate “the death of the subject” Nietzsche rejects this valorization of disunity as a form of Nihilism and prescribes the creation of a genuine unified subjectivity to those few capable of such a goal. Post modernists are nearer Nietzsche’s idea of the Last Man than his idea of the Overman. (shrink)

This thesis inquires into our ‘human nature’ through an interdisciplinary approach that considers some of the radical changes in intellectual thought at those key points in Western culture in which this concept has been centrally deployed. The broad historical sweep that this study covers finds the preoccupation with defining who we are and what we are capable of inextricably linked with the focus, at most of the pivotal moments examined, on a dominant impulse to conceive human beings as moral creatures.

Acclaimed as one of the great filmmakers of the 20th century, Ingmar Bergman is for many an arch-modernist, whose work is characterized by a high degree of self-conscious artistry and by dark, even nihilistic themes. Film critics increasingly identify him as a kind of philosopher of the human condition, especially of the dislocations and misery of the modern human condition. However, Bergman’s films are not embodiments of philosophical theories, nor do they include explicit discussions of theory. Instead, he attends to (...) the concrete lived experience of those who, on the one hand, suffer from doubt, dislocation, and self-hatred and, on the other, long for confession and communion. In the middle of his career, especially in his famous faith trilogy of the early 1960s, Bergman investigated the lived experience of the absence of God. It is commonly thought that after this period, the question of God disappeared. However, in his last two films, Faithless and Saraband, Bergman explores the lived experience of the absence of God. Indeed, he moves beyond a simple negation to explore the complex interplay of absence. He even illustrates the possibility of a kind of communion for which so many of his characters—early, middle and late—long. (shrink)

My focus here is on what Hegel has to say about nature and natural kinds, in ‘Observing Reason’ from the Phenomenology, and also in similar material from the Logic and Encyclopedia. I intend to argue that this material suggests a surprising way of stepping beyond the fundamental debate. There can of course be no question of elaborating and defending here a complete interpretation of Hegel’s entire theoretical philosophy. I will have to restrict myself to arguing for the unlikely conclusion that (...) there is an approach that can combine and integrate the strongest points made by both sides in the most basic debate shaping recent Hegel interpretation. What needs explaining is how there could be any single coherent position that in any philosophical sense both cancels and preserves metaphysics. (shrink)

Die Grenzen der Vernunft. Eine Untersuchung zu Zielen und Motiven des Deutschen Idealismus. By Rolf‐Peter Horstmann. Frankfurt a.M.: Anton Hain, 1991, 321 pp. ISBN 3–445‐08568‐4Praktische Philosophie im Deutschen Idealismus. By Ludwig Siep. Frankfurt a.M.: Suhrkamp, 1992, 348 pp. ISBN 3–518‐28635‐8 pb.

The article is divided in three main parts. The first part shows that the first three chapters of the second essay of On the Genealogy of Morality give a genealogical account of the emergence of reason in human history, and that this account involves the claim that reason is a development of human engagement with social rules: Nietzsche understands the emergence of reason as the emergence of a normative space of reasons. The second part interrogates Nietzsche’s conception of value, purpose, (...) and meaning in order to show that he is not a proponent of any version of “bald naturalism”: he does not equate what is “really real” with a natural world of causation devoid of value, purpose, and meaning. The third part of the article shows that, although Nietzsche’s perspectivism does not assign to the space of reasons the status of a purely autonomous realm of justification, he does not dismiss rational normativity, or the space of reasons, as merely illusory. Nietzschean genealogy is shown to be a reflective questioning of our values that investigates the reasons behind our deeper normative commitments. (shrink)

A cross-cultural work which reinvigorates the consideration of enlightenment.

This dissertation deals with the tragic vision that motivates certain key aspects of Theodor W. Adorno’s philosophy. While in the formative early work, the Dialectic of Enlightenment, co-written with Max Horkheimer, the tragic views are clear, in later works, such as the Aesthetic Theory and the Negative Dialectics, they are only implicit. The study reconstructs the tragic vision found in the Dialectic of Enlightenment and uses it as a key to understand Adorno’s mature philosophy. A tragic vision is born when (...) specific philosophical convictions regarding agency and morality coalesce with certain ethical and political conditions. A tragic vision forms the grounds for tragic views. For Adorno, the key convictions rise out of the failures of reason and culture to enable the eradication of unnecessary suffering by creating the kind of conditions in which human beings could flourish. These convictions give rise to a view of humanity as blind to its own shortcomings and thus doomed to perpetuate suffering in the name of progress and growth. Adorno’s persistent negativism prevents him from offering practical solutions for changing the world, but he does offer a scathing critique of the modern world that continues to resonate with new generations of readers. The analysis of the tragic vision presented in this dissertation will highlight the fundamental philosophical and ethical commitments underlying Adorno’s views and will thus allow both situating his work into a larger cultural context and juxtaposing it with the work of other philosophers, as well as other writers, thereby opening new vistas for research not just on Adorno but on continental philosophy, social theory, and the domain of arts and letters at large. (shrink)