Paolo Crivelli; VII*—The Argument from Knowing and Not Knowing in Plato's Theaetetus (187E5–188C8), Proceedings of the Aristotelian Society, Volume 96, Issue 1.

With the use of a particular metaphor, which appears at the end of the Cratylus and is taken up with perfect symmetry at the beginning of the Theaetetus, Plato certainly wanted to indicate the succession of Cratylus–Theaetetus as an order for reading the two dialogues, which Trasillus faithfully reproduced in structuring the second tetralogy of Platonic dialogues. The claim of the theory of ideas, with which the Cratylus ends, must therefore be considered the background in which to place not only (...) the analysis of the name carried out in the Cratylus, but also the discussion and criticism of the epistemological theories examined and refuted in the Theaetetus. The transition from the discussion of the name to that of the logos is another important theoretical element that connects the two dialogues. Another one is the theory of knowledge, already precisely elaborated in the Cratylus, and taken up and deepened in the Theaetetus. Finally, the theme of false and error is a third theoretical element common to the two dialogues, which, starting from Euthydemus, finds its solution in the Sophist. (shrink)

The goal of this paper is to examine the cognitive limits of aisthêsis in 184-6 of Plato’s Theaetetus. The options are: aisthêsis as ‘bare sensation’ and aisthêsis as ‘perceptual judgment’. I argue that Plato ignores the tension between these two alternatives because he is describing the whole process of perception as containing both. My focus is the text at 184-5, but first I make some preliminary comments, from a synoptic perspective, about what Plato is doing in the context of the (...) argument. After that, I move on the text, offering translations and interpretations of the relevant parts. I also discuss some of Cornford and Cooper’s ideas about Theaetetus 184-6. (shrink)

In Metaphysics Γ 4-6 Aristotle argues that Protagoras is committed not just to denying the PNC, but also to asserting its contrary. In this paper, I offer an analysis of this commitment. I try to show that Aristotle is working with a specific idea in mind: a Protagoreanism ontologically linked to the flux doctrine, as Plato suggested in Theaetetus 152-160.

Scholars who have taken interest in Theaetetus' educational theme argue that Plato contrasts an inferior, even dangerous, sophistic education to a superior, philosophical, Socratic education. I explore the contrasting exhortations, methods, ideals and epistemological foundations of Socratic and Protagorean education and suggest that Socrates' treatment of Protagoras as educator is far less dismissive than others claim. Indeed, Plato, in Theaetetus, offers a qualified defence of both Socrates and Protagoras. Socrates and Protagoras each dwell in the middle ground between the extremes (...) presented in the dialogue's digression, which contrasts the life of the philosopher and the life of the courtroom orator. Both Socrates and Protagoras demonstrate a serious engagement with both politics and philosophy. Theodorus presents an educational option in which theory is divorced from politics while an ignoble sophistic education is presented as political but divorced from theory. Protagorean education, in Theaetetus, emerges as superior to a base sophistic education, though it remains inferior to Socratic education. (shrink)

The digression of Plato’s Theaetetus (172c2–177c2) is as celebrated as it is controversial. A particularly knotty question has been what status we should ascribe to the ideal of philosophy it presents, an ideal centered on the conception that true virtue consists in assimilating oneself as much as possible to god. For the ideal may seem difficult to reconcile with a Socratic conception of philosophy, and several scholars have accordingly suggested that it should be read as ironic and directed only at (...) the dramatic character Theodorus. When interpreted with due attention to its dramatic context, however, the digression reveals that the ideal of godlikeness, while being directed at Theodorus, is essentially Socratic. The function of the passage is to introduce a contemplative aspect of the life of philosophy into the dialogue that contrasts radically with the political-practical orientation characteristic of Protagoras, an aspect Socrates is able to isolate as such precisely because he is conversing with the mathematician Theodorus. (shrink)