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  1. Problematizing the Global: An Introduction to Global Culture Revisited.Mike Featherstone - 2020 - Theory, Culture and Society 37 (7-8):157-167.
    This paper serves as an introduction to the special section on Global Culture Revisited which commemorates the 30th anniversary of the publication of the 1990 Global Culture special issue. It examines the development of interest in the various strands of globalization and the question of whether there can be a global culture. The paper discusses the emergence of alternative global histories and the problematization of global knowledge. It examines the view that the current Covid-19 pandemic signals a turning point, or (...)
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  • (1 other version)Many Renaissances, Many Modernities?: Jack Goody, Renaissances:The One or the Many? ; The Eurasian Miracle. [REVIEW]Jan Nederveen Pieterse - 2011 - Theory, Culture and Society 28 (3):149-160.
    This article discusses Eurocentric history, its focus on the Renaissance and modernity, which continues also in recent global history perspectives. Goody’s argument regarding renaissances in the plural situates Europe in the wider field of Eurasia and deeper in time, going back to the Bronze Age, characterized by plough agriculture, the use of animal traction and urban cultures. Goody’s perspective includes viewing renascences as accelerations and leaps in the circulation of information. Since it is always the trope of the modern that (...)
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  • (1 other version)Many Renaissances, Many Modernities?Jan Nederveen Pieterse - 2011 - Theory, Culture and Society 28 (3):149-160.
    This article discusses Eurocentric history, its focus on the Renaissance and modernity, which continues also in recent global history perspectives. Goody’s argument regarding renaissances in the plural situates Europe in the wider field of Eurasia and deeper in time, going back to the Bronze Age, characterized by plough agriculture, the use of animal traction and urban cultures. Goody’s perspective includes viewing renascences as accelerations and leaps in the circulation of information. Since it is always the trope of the modern that (...)
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  • Uses and misuses of a chinese renaissance.Mark Gamsa - 2013 - Modern Intellectual History 10 (3):635-654.
    To adopt the least contentious of several definitions, the currents of thought and motifs in the arts that we associate with the Renaissance had their beginnings in fourteenth-century Florence. By the end of the fifteenth century they had spread out to other Italian cities while, during the sixteenth century, the Renaissance became a cross-European phenomenon. But was there also a “Renaissance beyond Europe”?
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