This article explores the expression and conceptualisation of emotions in Anindilyakwa (Gunwinyguan, north-east Arnhem Land). Fundamental to the emotional lexicon of this language is the widespread use of body parts, which frequently occur in figurative expressions. In this article I examine the primary body parts that occur in emotion descriptions in both literal (physical) and figurative expressions. Particular attention is given toyukudhukudha /-werrik- ‘chest’, the body part conceptualised as the primary site of emotion in Anindilyakwa and the most productive body-related (...) morpheme used in emotion compounds. I consider the role of the chest and other productive body parts that occur in emotion compounds, and examine the metonymic and metaphorical devices that contribute to the expression of these emotional states. In doing so, I propose a number of overarching and widespread tropes that hold across different body-part compounds, and briefly contextualise these in relation to the emotion description systems of other closely-related (Gunwinyguan) languages. (shrink)

This paper explores how emotions are expressed in the endangered Gunwinyguan language Kunbarlang and compares these expressions to those in the neighbouring Gunwinyguan language Bininj Kunwok, and neighbouring languages from other language families, Mawng (Iwaidjan) and Ndjébbana (Maningridan). As well as considering body-based emotion expressions and the tropes (metaphors and metonymies) they instantiate, we consider the range of other (non-body-based) expressions and tropes available in each language. These provide an important point of comparison with the body-part expressions, which are limited (...) to expressions based on noun incorporation in the Gunwinyguan languages and, correspondingly, a more limited range of tropes. By outlining and comparing the linguistic tropes used to express emotions in these four languages in the highly multilingual yet socioculturally unified context of western Arnhem Land, we aim to shed further light on the relationships between linguistic figurative features and conceptual representations of emotions. (shrink)