This article is an attempt to both reconstruct and sort out the hermeneutics of upbuilding emerging from Kierkegaard’s discourses. This hermeneutics turns out to be a method of transferring the Christian ideal from the level of idea to the level of life within the larger Christian anthropological project that Kierkegaard’s discourses constitute. What is shown herein is that this general hermeneutics of upbuilding consists of three dialectical movements defining, respectively, the relation between: the discourse and the reader (the hermeneutic of (...) spiritual life), Scripture and the reader (the hermeneutic of content internalization) and the reader and the temporal world (the hermeneutic of repetition). At the center of Kierkegaard’s Christian anthropological project is the relation between Scripture and the reader, a relation to whose description three hermeneutic levels (presentation—understanding—appropriation) are introduced here. These levels are in line both with three movements of the upbuilding process (the terrifying—consolation—upbuilding), which one can identify on the basis of a reading of the discourses, and with three conditions that are, in the opinion of the Danish philosopher, required in order “to look at oneself with true blessing in the mirror of the word.”. (shrink)

According to Roger Poole, theological interpreters of Søren Kierkegaard’s indirect communication privilege content over form, whereas deconstructive interpreters privilege form over content. Here, I offer a reading of Johannes Climacus’s Philosophical Fragments to illustrate how, in this case, the theology/deconstruction and form/content binaries both break down. The form of Fragments is as theological as it is deconstructive: Climacus’s kaleidoscopic quotation of scripture, and his parabolic tropes both attest to this. Similarly, the content of Fragments is as deconstructive as it is (...) theological: the deferral of names, the madness of the moment of decision, and Climacus’s use of contradiction all unsettle any naïve theology. Ultimately, I suggest, the reason that Fragments resists the form/content and theology/deconstruction binaries is because it is a text about the incarnation – a paradigmatic combination of form and content, and a paradoxical reality that bursts apart any division between theology and deconstruction. (shrink)

Though there are significant points of overlap between Michelle Kosch's reading of Fear and Trembling and my own, this paper focuses primarily on a significant difference: the legitimacy or otherwise of looking to paradigmatic exemplars of faith in order to understand faith. I argue that Kosch's reading threatens to underplay the importance of exemplarity in Kierkegaard's thought, and that there is good reason to resist her use of Philosophical Fragments as the key to interpreting the 'hidden message' of Fear and (...) Trembling. Key to both claims is the Concluding Unscientific Postscript. I also briefly sketch an alternative reading of the 'hidden message', one in which Kierkegaard's Christian commitments play a notably different role. (shrink)

In this study I provide a thematic comparison of Søren Kierkegaard’s Fear and Trembling and Immanuel Kant’s Groundwork of the Metaphysics of Morals to suggest that the representation of the ethical in Fear and Trembling is transparently Kantian. At times I draw on Kant’s Religion Within the Boundaries of Mere Reason, Conflict of the Faculties, and The Metaphysics of Morals to offer a comprehensive account of Kant’s ethical theory. Both philosophers hold profoundly important positions within the milieu of ethics, however (...) they have always shared a tenuous and at times negative relationship. In this study, I challenge such commentators by showing that when the figure of Abraham is taken typologically and excluded from the text, what emerges from Fear and Trembling is a Kantian based ethics. I argue that a comparative reading of Kant’s Groundwork and Kierkegaard’s Fear and Trembling reveals that Kierkegaard’s thought gravitates towards three central principles of Kant’s categorical imperative, as well sharing some similarities with Kant’s understanding of duty. (shrink)

In this article, I examine the possible thought experimenting qualities of Soren Kierkegaard's novel Fear and Trembling and in which way it can be explanatory. Kierkegaard's preference for pseudonyms, indirect communication, Socratic interrogation, and performativity are identified as features that provide the narrative with its thought experimenting quality. It is also proposed that this literary fiction functions as a Socratic-theological thought experiment due to its influences from both philosophy and theology. In addition, I suggest three functional levels of the fictional (...) narrative that, in different ways, influence its possible explanatory force. As a theoretical background for the investigation, two accounts of literary cognitivism are explored: Noel Carroll's Argument Account and Catherine Elgin's Exemplification Account. In relation to Carroll's proposal, I conclude that Fear and Trembling develops a philosophical argumentation that is dependent on the reader's own existential contribution. In relation to Elgin's thought, the relation between truth and explanatory force is acknowledged. At the end of the article, I argue that it is more accurate to see the explanatory force of Fear and Trembling in relation to its exploratory function. (shrink)