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Lasus of hermione, pindar and the Riddle of _S_

James I. Porter

Classical Quarterly 57 (01):1- (2007)

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Mousikoi Agones and the Conceptualization of Genre in Ancient Greece.Andrea Rotstein - 2012 - Classical Antiquity 31 (1):92-127.details This article inquires into the shaping force that competition at musical contests exercised on ancient perceptions of literary genres, particularly for the non-choral and non-dramatic kinds of the Classical Period. Three musical contests of the fourth century BCE, the Panathenaia, the Amphiaraia, and the Artemisia, are taken as case studies. After a reconstruction of their programs, principles of categorization that spectators might have inferred from the contests are deduced, and modes in which categories of competition and literary genres interacted are (...) Download Export citation Bookmark
Epinician Variations: Music and Text in Pindar, Pythians 2 and 12.Tom Phillips - 2013 - Classical Quarterly 63 (1):37-56.details The importance of music for epinician, as for all other types of choral performance in Archaic and Classical Greece, has long been recognized, but the exiguousness of the evidence for the compositional principles behind such music, and for what these poems actually sounded like in performance, has limited scholarly enquiries. Examination of Pindar's texts themselves for evidence of his musical practices was for a long time dominated by extensive and often inconclusive debate about the relations between metres and modes. More (...) Download Export citation Bookmark 1 citation
Sung Poems and Poetic Songs: Hellenistic Definitions of Poetry, Music and the Spaces in Between.Spencer A. Klavan - 2019 - Classical Quarterly 69 (2):597-615.details Simply by formulating a question about the nature of ancient Greek poetry or music, any modern English speaker is already risking anachronism. In recent years especially, scholars have reminded one another that the words ‘music’ and ‘poetry’ denote concepts with no easy counterpart in Greek. μουσική in its broadest sense evokes not only innumerable kinds of structured movement and sound but also the political, psychological and cosmic order of which song, verse and dance are supposed to be perceptible manifestations. Likewise, (...) Download Export citation Bookmark
Los fragmentos del tratado Sobre los acertijos de Clearco de Solos.Mariana Gardella - 2022 - Ideas Y Valores 71 (178):217-233.details En este trabajo, presento una traducción del griego antiguo al castellano de los fragmentos del tratado Sobre los acertijos de Clearco de Solos. En esta obra, encontramos una definición de “acertijo”, un criterio de clasificación y numerosos ejemplos. La traducción está acompañada de una introducción en la que presento algunas observaciones sobre la transmisión del tratado Sobre los acertijos y analizo el concepto de “acertijo”, teniendo en cuenta la definición y los ejemplos que propone Clearco. Download Export citation Bookmark

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