From 1950 to 1952, statisticians W.G. Cochran, C.F. Mosteller, and J.W. Tukey reviewed A.C. Kinsey and colleagues’ methodology. Neither the history-and-philosophy of science literature nor contemporary theories of interdisciplinarity seem to offer a conceptual model that fits this forced interaction, which was characterized by significant power asymmetries and disagreements on multiple levels. The statisticians initially attempted to exclude all non-technical matters from their evaluation, but their political and personal investments interfered with this agenda. In the face of McCarthy’s witch hunts, (...) negotiations with Kinsey and his funding institutions became integral to the review group’s work. This paper analyzes the heavy burden of emotional and affective labor in this collaboration, the conflicts caused by competing visions of objectivity, and the uses of statistical knowledge to gain and sustain authority. Kinsey’s refusal to adopt the recommended probability sample damaged his already precarious position even further and marked him as a biased researcher who put his personal agenda above methodological rigor. Kinsey’s uncooperative demeanor can be explained by distrust resulting from numerous adverse reactions to his work and by fear of having his sexuality exposed. This case study illustrates that the very concept of valid numbers can become an arena for power struggles and that quantification alone does not guarantee productive exchanges across disciplines. It calls for a deeper conceptual analysis of the prerequisites for successful scientific collaborations. (shrink)

The demarcation between science and non-science seems to play an important role in the process of scientific change, as theories regularly transition from being considered scientific to being considered unscientific and vice versa. However, theoretical scientonomy is yet to shed light on this process. The goal of this paper is to tackle the problem of demarcation from the scientonomic perspective. Specifically, we introduce scientificity as a distinct epistemic stance that an agent can take towards a theory. We contend that changes (...) in this stance are to be traced and explained by scientonomy. Thus, we formulate a new law of theory demarcation to account for changes in scientificity within the scientonomic framework. (shrink)

The essays in this special issue of Centaurus examine overlooked agents and sites of knowledge production beyond the academy and venues of industry- and government-sponsored research. By using gender as a category of analysis, they uncover scientific practices taking place in locations such as the kitchen, the nursery, and the storefront. Because of historical gendered patterns of exclusion and culturally derived sensibilities, the authors in this volume find that significant contributions to science were made in unexpected places and that these (...) were often made by women. The shift in focus to these different sites and different actors broadens the spectrum of what counts as science and where science happens. That is, in moving beyond the parameters of formal academic structures, this special issue seeks to recast the ways in which the production of science itself is defined and to engage readers in the redesign of the boundaries of our discipline. (shrink)

In 1965, the American folklorist Alan Lomax set out on a mission: to view, code, catalogue and preserve the totality of the world’s dance traditions. Believing that dance carried otherwise inaccessible information about social structures, work practices and the history of human migration, Lomax and his collaborators gathered more than 250,000 feet of raw film footage and analyzed it using a new system of movement analysis. Lomax’s aims, however, went beyond the merely scientific. He hoped to use his ‘Choreometrics’ project (...) as the foundation for a universally available visual and textual atlas of human movement. This article explores how Lomax’s archival ambitions supported his efforts to enact a wholesale ‘recalibration of the human perceptual apparatus’ and situates Choreometrics at the nexus of new techniques of data-gathering and the cultural ferment of the 1960s. (shrink)

In this essay I reassess Willem Jacob ‘s Gravesande's Newtonianism. I draw attention to ‘s Gravesande's a-causal rendering of physics which went against Newton's causal understanding of natural philosophy and to his attempt to establish a solid foundation for the certainty of Newton's natural philosophy, which he considered as a powerful antidote against the theological aberrations of Descartes and especially Spinoza. I argue that, although ‘s Gravesande clearly took inspiration from Newton's natural philosophy, he was running his own scientific and (...) intellectual agenda and that he was combining Newtonian and non-Newtonian elements. (shrink)

Growing interest among historians and social scientists in the work of Karl Polanyi has yet to produce detailed historical studies of how Polanyi's work was received by his contemporaries. This article reconstructs the frustration of Polanyi's attempts to make a name for himself among English socialists between his arrival from Vienna in 1934 and his departure for New York in 1947. The most obvious explanation for Polanyi's failure to find a following was the socialist historians’ rejection of his unorthodox narrative (...) of the rise of capitalism and the Industrial Revolution in The Great Transformation. But this disappointment was anticipated in earlier exchanges revealing that Polanyi's social theory, specifically his conception of the self and its social relations, differed markedly from the views prevailing among socialists of R. H. Tawney and G. D. H. Cole's generation. As well as casting new light on the intellectual history of English socialism and variegating our understanding of the contexts in which conceptions of the human person were invoked in the interwar period, this article seeks to illuminate by example the importance of deep-seated, often tacit, commitments to particular conceptions of the self and its social relations in structuring mid-century intellectual life. (shrink)